A Quote by Divya Khosla Kumar

I was hesitant to ask around for work, so I did a short film called 'Bulbul,' which was praised a lot by people. — © Divya Khosla Kumar
I was hesitant to ask around for work, so I did a short film called 'Bulbul,' which was praised a lot by people.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
I did a film called 'Nightfall,' based on Isaac Asimov life, which was directed by an American director. However it was a short film.
I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together.
I've done a lot of independent film, which are short shoots that are usually four to six weeks, max. I enjoy everything. After one particular experience of work, I like to go in the opposite direction and do a short film, or something else.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
We had this idea, and I think a lot of people did going in, that you can make some short film and it's going to get industry attention and that's going to be your thing. And it was only later on at school that we realized that's very rare that a short film is going to capture the attention of anyone.
I did a short film called 'Disco' and won an award for Best Supporting Actor at an indie film festival, and that was nice. Hopefully there's lots more to come.
One feature film that I am most proud of is Forrest Gump which starred Tom Hanks. Once you are called out to work in film, yes it is a small industry and your name gets around pretty fast.
The very first picture that I did, the director came up to me on the street - I was 14 at the time - and asked me if I would be in a short film that he was doing called 'Pigen og Skoene,' which means 'The Girl with the Shoes,' which is a funny title but that is how it is.
I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
I spent a long time on my first movie, which was the sequel to a short film that I did called 'Carne.' And I had no money. I shot it over a period of three years, a bit like David Lynch directed 'Eraserhead.'
People ask me, what special is in my mentorship which has made Malala so bold and so courageous and so vocal and poised? I tell them, don't ask me what I did. Ask me what I did not do. I did not clip her wings, and that's all.
When Hillary Clinton deserved to be praised, I praised her. When Donald Trump did, as well, I did that, too.
People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.
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