A Quote by Divya Khosla Kumar

Usually male directors have to use foul language to get the job done. But I never came down to that level as being a women I wanted to keep my respectability intact. — © Divya Khosla Kumar
Usually male directors have to use foul language to get the job done. But I never came down to that level as being a women I wanted to keep my respectability intact.
One sacrifice has to be made: never use harsh or rude language. Foul language you can use; foul language doesn't hurt. Foul language is forgivable (though it is bad). But rude language cannot be forgiven.
I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
Never use curse words, foul language, or racial slurs, or say anything about a person's appearance. Just work with being smart-mouthed.
If you're good at your job, you're good at your job regardless of being male, female, whatever. Either you're a good director or you're not, and there are plenty of bad male directors.
Nancy [Kassebaum] and I worked on a women's health agenda when I first came. Women were not included in the protocols at NIH, the famous study, 'take an aspirin a day, keep the doctor, you know, a heart attack away.' It was done on ten thousand male medical students.
I've always wanted to do a video of me following a girl down the street. Michael Jackson's done it. Omarion's done it. All these male pop artists have followed women down streets in videos - it's kind of the classic thing. And I was like, there is no video of a girl following a girl down the street. I need to do this at some point in my life.
I make lists to keep my anxiety level down. If I write down 15 things to be done, I lose that vague, nagging sense that there are an overwhelming number of things to be done, all of which are on the brink of being forgotten.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
If the president is going to use so much language of theology and the Bible, then let's use that language for a serious discussion about the war in Iraq. And that was never done.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I joined a very male-dominated profession back in 1986. I wanted to work with big multinational Fortune 500 companies, but you don't come into the firm and automatically get those. So, quite frankly, a key to my success was that I found male mentors and male sponsors. I think some women are afraid to say that.
People say, 'In Washington, things can't get done.' We at the state level have to get it done. We don't have filibusters and kicking the can down the road - we don't have that luxury. We've gotta act, and we've got to keep our citizens safe. We've got to grow our economies and provide education and a transportation system that's efficient.
I think I just wanted to work when I finally came to Hollywood. That's what it was. I wanted to get a job, and then I wanted to get the second one.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
If you are sitting there waiting for someone to tell you how wonderful you are, you'll never get anything done. Women need to get over being women. I'm tired of that socialization of women; that we are always supposed to be sitting around pleasing somebody.
My mother worked all of her life, she was a dance teacher and I also noticed, to be honest, that most of the male directors wanted to blow things up so there was like an open area for somebody who wanted to direct women movies, chick flicks, whatever you... I don't call them chick flicks.
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