I spent as much time watching telly and films when I was a kid as I did lying around reading books. I think it's crazy that writers are only allowed to say that certain books have influenced them.
I didn't even have that many close LGBT friends or anything like that, but I suppose it was growing up and becoming aware of how you are in a cultural landscape that is blatantly homophobic... you turn around and say, 'Why did I grow up in a homophobic place? Why did I grow up in a misogynistic place?'
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
My parents were divorced and I didn't grow up with my father, but I spent a lot of time around him, and his influence on me has been profound.
London exists normally in a state of bleach bypass. There's the artistic context of "Blow Up" and "Performance" and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
Comic books and films have a lot more in common than, say, comics and books or films and books. The two art forms, to me, seem like pretty close siblings.
I would say growing up in Nashville has been a huge influence in my music. Growing up with my dad being a 2-time Grammy-winner, BMI songwriter of the year for five consecutive years in a row, and having the legacy he has is definitely a huge influence, too.
Though I technically come from a film family, my father had stopped making films even before my brother and I were born. So I did not really grow up in a filmi environment. And when I was growing up, becoming an actress was still quite a taboo. And you may not believe this, but even my father did not want me to join films.
I feel a degree of regret that Marshall did not push on and say 'abolish the GLC' because I think it would have been a major saving and would have released massive resources for productive use.
The concern around probable questions, which in a sense have been hidden, will grow around the world and the matter is critical, the reason we are doing all this is so we can respond correctly to what is reported to be a major catastrophe on the African continent.
I would love to do better in mainstream Hindi films, but one thing I must say is that my best experience so far has been in the Punjabi film industry, where I've been around for more than 11 years.
Had I to do it again, I would have been a math major, probably a double major, and did take a lot of math classes, but I would have taken a lot more.
I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films.
I'm a novelist who read a lot as a kid. When you grow up on books and then grow up to write books, famous authors are a lot more meaningful to you than TV and movie stars.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I thought that, post-apartheid, there would be absolutely no interest in South Africa. That has been both true and untrue. The major writers like Gordimer and Coetzee have produced major books. But some of the more minor writers have drifted away.