A Quote by Divya Khosla Kumar

Directors usually have an image of being too casual when it comes to fashion. But as a women, it is very important to be prim and proper. — © Divya Khosla Kumar
Directors usually have an image of being too casual when it comes to fashion. But as a women, it is very important to be prim and proper.
I'm not very good with conventional, prim-and-proper people who are well-behaved, grown-up.
Some days I want to look like a hipster kid, and then other days I want to be prim and proper. I really wish I had, like, seven lives so I could go from being a hipster one day to a punk the next. But that's the great thing about fashion. In a way, it's like acting, because you can try on all these different roles.
Our parents were very prim and proper, but we always got one toy every day. That was a ritual. The money didn't really matter.
I had a lot of fun creating some restaurants with a casual note to it, such as DBGB, for example, where it was about bangers and beers, being a very casual brasserie with very affordable food but very interesting homemade program.
My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me.
In the 1950s, when we went to Lord's, you had to sit down, and it was very prim and proper. It was only in the 1960s when we started to do well that West Indians started voicing their opinions.
I think people reckon I am prim and proper.
When I started, department stores were either very fashion, or very tailored, so the two never mixed. I mixed it, and they said you're too tailored for fashion and too fashion for tailoring. So I had to move the market. So that's what I did.
I am a control freak. I want everything to be prim and proper.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
I guess people have this image of women being more compassionate, being the mother, being caring, but I don't know if that's true. I think it's an image we've all carried over the years. I never want to attribute certain qualities to gender.
All directors are control freaks and very obsessive. I get the feeling that directors as kids, they all have had a childhood with not too much contact with other kids. They constructed their own reality and they continue to do it. It's a funny breed, directors.
I don't know about being an icon yet but I definitely do love fashion; it's really important for me to resemble my music. I definitely look like I sound. Creating an image is an art form in itself, it's a really fun part of being a musician.
I hate this image of me as a prim Edwardian. I want to shock everyone.
The bird Gamayun was related to Alkonost and Sirin in some vague fashion-even the most casual observer would've noticed that all three of them were not entirely birds; they had the faces and breasts of women, severe but beautiful. And when their lips opened, they sand in women's voices, deep and rich and bittersweet.
Fashion is very quick. It's very disposable. It's immediately - it tells you exactly where we are in our culture, especially women's fashion.
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