A Quote by Divya Khosla Kumar

I struggled for 10 years before I made my first film. — © Divya Khosla Kumar
I struggled for 10 years before I made my first film.
Life is short. I'm 47 years old. I've got 10 years to go where I can be the best I can be. I want those 10 years to be precious, not like before, cranking two or three movies a year. I've made a ton of movies in my life, but so what?
I'd never been to Africa. This really was my first film [The Lost World]. I'd done 10 years of stage. I'd done a little bit of television. But this was my first film.
When I made my first film I was 25 years old, and that's pretty rare. Being so young my experience and the thing that I wanted to talk about was teenagehood, plus in France we have that strong tradition of the coming-of-age story being made as your first film.
I was a film editor for eight years before I made my first feature, 'Dog Soldiers.' I am from Newcastle upon Tyne, in the northeast of England.
I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship.
I played golf for 25 years before I made a hole-in-one of any kind. I was on the tour for years before it finally happened. Eventually I made 23, but boy, that first one was a long time coming. It was the price I paid for not shooting at every flag.
I struggled to learn basic skills, get a grip on markets, find my own unique voice, create story lines and come up to speed with the industry. I struggled for ten years before having any success.
We had nothing, no money, when I was young. We lived in a council house. My dad struggled; my mum struggled. But that made me what I am. If I had everything on a plate from the start, maybe I would not have been a champion for 11 years.
I'm 25 years old; I've had a good career, and the best is yet to come. I want to fight for the next 10 years, which will be better than my first 10 years.
The first film that I can remember seeing where, like, I just couldn't stop watching it - and it didn't necessarily make me want to be a director because I was so young, but it made me know that that's what I wanted to be doing - was 'Alien.' And I saw that when I was probably just over 10 years old.
'Lootera' happened nearly 10 years after television. It was the first film I auditioned for.
I struggled and I did theater for 10 years, for 15 years, I tried to get little parts here and there in TV shows. So, for me, the opportunity to work with Jim Carrey was amazing, it was phenomenal, it was eye-opening.
I made films with my brothers and my cousins and if any of the films ever come to fruition my career will be in ruins because the acting, writing, and directing is so unbelievably, heinously bad. We once screened one for my grandfather, this film that we had painstakingly made over a couple of days when we were all 10 years old, and he sat there and he said, "This is the worst film I've ever seen." No sympathy whatsoever.
Yoko had 10 years and I had 10 years and I would rather have had the 10 years I had than the ones she did. I had the raw talent and the raw human being, before the sycophants arrived.
You can put a person in jail for 5 years, for 10 years, or 20 years, for the same crime. We're deciding on 10 years to 20 years, when 5 years would be enough. Okay. The deterrent value, the additional amount of leverage that you get over a criminal to keep them from breaking the law in the first place, associated with making the sentences longer, is de minimous; it's essentially nothing.
My history has been to grow the roots as deeply as you can before going on to the next thing. That's why it took 10 years to go from Union Square Cafe to Gramercy Tavern, and another 10 years to go from Blue Smoke's first location to its second, and five to go from Shake Shack 1 to Shake Shack 2.
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