A Quote by Dixie Carter
You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.
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Somebody with a huge brand like Bellator under an even huger brand like Viacom, to have them put their faith in me, to put me in so many things, to put me in commercials, send me to all these events, and just to continue to put me in the cage with great talent, it's great.
If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
There is always a bit of pressure to do a good album - to do good work, period. I really put a lot of pressure on myself, more so than other people. But I try not to let that overwhelm me to the point where I can't even do good work. I just put it aside and do the best that I know that I can.
I was a dramatic kid. I was always like, 'Watch me put on my play, Mom and Dad! You have to watch me put on all these outfits and do this play!' But my family is very academic and straightforward and normal Midwestern people, so the idea that I could act as an actual job wasn't really there.
Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.
Some Trumpsters asked me if it was really a problem that Trump doesn't have money to run commercials now. And I said he doesn't have the money, just doesn't have the money. "That's not good. He needs to be running commercials."
It is hard to put aside partisanship. It is hard to give up the easy wisecracking jeer that divides and destroys. It is hard - very hard - to have worked sincerely and wholeheartedly for a cause and to have lost. Most of all, it is hard to put aside personal prejudices. And yet we must put these things aside.
I like the fact that when you're put into a really extreme situation, you put everything else aside. You put your ego aside and get on with it, and I quite like that.
With money we really fool ourselves. We are our biggest enemies with money and there are some things we can do about it. Automatic deductions are a wonderful thing. But ideally, you should wait until the end of the month, you can see how much extra money you had, and you should put that in your savings account. We don't do that too well, and if we did that, we would never save. So, what we do, is we take money out of our pocket into the saving account at the beginning of the month, take it outside of our control and as a consequence, we spend less and we save more.
You get a pretty good read by watching the play, and knowing what you would have done - having done most of the things that these guys are accused of doing. I put myself in their shoes: Would I have been wanting to send a message? Is it a hockey play that went a little sideways?
I play this game not just because of the money, man. I play because one day I want to put on that Hall of Fame jacket. Also, I want a Super Bowl. The money is just going to come anyway. But if you're not happy, the money really doesn't mean anything.
When I put on the U.S. jersey, I play for myself, I play for my family, and I play for the team. That's really all I do.
We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.
I don't really have that much control over where I play. I put out parameters and I accept what I can. If it's really low, or I had a bad experience at a place then I usually don't play there again.
I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
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