A Quote by Dizzee Rascal

When you hear 'I Luv U,' that's me doing Three 6 Mafia. That actual track is a mix of 'What's Your Fantasy?' by Ludacris and 'Is That Yo Chick?' by Jay Z. That's my version of that track.
PaulStretch is a really out-there, standalone audio stretching engine. So with 'Second Sun,' I took a portion of what I was working on and took it into PaulStretch and then bring it back into the track to sit low in the mix as a drone version of itself. It gives the track a good base and a haunting texture to it.
I'll go in the studio and hear a track that I don't like, and they're trying to pay me to rap over it. But I'll tell them I just can't do it. And when they ask why, I say, 'Because then somebody's gonna hear it... damn, find another track.'
It's important to run not on the fast track, but on your track. Pretend that you have only six months to live, and make three lists: the things you have to do, want to do, and neither have to do nor want to do. Then, for the rest of your life, forget everything on the third list.
I'm track 3 with fabulous French dialogue on the 'Star Is Born' album. I'm track 3 'NASA' on Ariana Grande's album. From 'All Stars 3,' went to 'Drag Race' three times, never won. Three is my lucky number.
I always tell people that I have never ever gone dancing in my life. But that's the point. It's the point of dreaming of doing it, imagining doing it. My music is like a fantasy version of it, not a practical version of it. With the way a club DJ would make a track - they are in the club, they know how to get people excited. I don't know how to get people excited. I'm just imagining euphoria; I'm not necessarily feeling it.
Ohhh, I'm in luv, I'm in luv I'm in luv, I'm in luv wit chu And there ain't nothin nobody can say cuz You're the one for me baby
I love short track. I competed in short track, I was a world champion in 1986 but at that point in time it wasn't in the Olympic Games so I moved into long track. Short track is a blast to skate and it's a blast to watch.
Staying away from junk food and the pops-it's something that, for me, is harder than doing the actual workouts. It's so easy to get off-track. Like when you're out with your buddies and they're stopping at McDonald's. You can't have a Big Mac with them.
Yo Gotti had some influence on me for sure. I would say Three 6 Mafia, too.
Growing up in the sport, I've been able to separate what happens on the track with what happens away from the track. That track is totally different. I'm not the same person when I put that helmet one.
In track years... track is not like other sports. You do have track athletes that stay in this sport until, like, 35, 36, but I think when you get to 28, it's really difficult.
Any kind of sequence when you have to express physical space and time can be difficult to story-tell because, if you're sitting there watching it like it's a play or something, your mind can track what's going on, or if you're watching an actual fight you can kind of track what's going on, but as soon as you have to start telling the story and tracking for the audience, it becomes much more complicated.
SafeTrack - I keep saying this - is not going to fix Metro. It's a speeded up track work program, compressing three years of already planned work on the track bed into about a year.
If you want to measure social media ROI, stop wasting your time doing software demos and attending webinars. Just figure out what you want to track, where you can track it, think about both current customers and new customers, and go do it.
My plan was to put him on a go-kart track when he was six years-old but he was with his mum at a track in Genk and he called me up crying because he saw a younger guy driving on the track. He said to me 'Daddy, I want to do this,' so when I got home from the Canadian GP, I bought him a go-kart and that's how he started.
If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
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