A Quote by Dizzy Gillespie

The sign of a mature musician is knowing what not to play. — © Dizzy Gillespie
The sign of a mature musician is knowing what not to play.
To be okay with not knowing is a sign of a mature person and a mature society.
I have a sign on my door. I look at it every single day of the week. The sign says, "Attitude is everything, so pick a good one." You need a very strong internal knowing. For instance, when I sat down to write the book The Power of Intention, I had a very strong internal knowing that I call thinking from the end.
All musicians practice ear training constantly, whether or not they are cognizant of it. If, when listening to a piece of music, a musician is envisioning how to play it or is trying to play along, that musician is using his or her 'ear' - the understanding and recognition of musical elements - for guidance.
Starting out really punk came from not knowing any better and listening to music like that, not knowing how to play music - well, still not knowing how to play music.
I recognize that as a musician there is a certain chauvinism attached to it, which is the thing of, "I spent my time learning how to play. You didn't spend time learning how to play, therefore, you are not a musician."
He has a method that likens the musician to an athlete, so I do physical exercises designed to keep a musician in shape in order to perform the function, which is to play music.
There's a collective knowing that a dimension of reality exists beyond the material plane, and that sense of knowing is causing a mystical resurgence on the planet today. It's not just children who are looking for a missing piece. It is a very mature outlook to question the nature of our reality.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
I'm kind of a terrible musician. I'm a very functional musician. I play just about every instrument in a band setting, functionally. But I should not be taking solos.
I was never very mature in my relationships with women. First sign of conflict, I was gone.
As a musician and a guitar player, I can noodle as well as anybody. But from my background as a session musician, I always try to play what is called for by the lyric and listening to the song. As a writer, that's what I do, too.
If somebody ever says something is a mature theme, it's bound to not be. I mean, you shouldn't fall for that. You can make it sound mature, but anything that's about being mature is pretty immature.
I've always thought about myself as somewhat of a folk musician. I just write words. I don't think I'm even a musician. I don't play a lot of instruments, not really a soloist or anything.
I know I’m an African-American, and I know I play the saxophone, but I’m not a jazz musician. I’m not a classical musician, either. My music is like my life: It’s in between these areas.
I started as a musician. I play the saxophone, but from the age of 17, I realised that it's very hard to make a living as a jazz musician in Australia. So I went for an audition and got an acting job and, fortunately, I completely fell in love with that.
A mature person is one who does not think only in absolutes, who is able to be objective even when deeply stirred emotionally, who has learned that there is both good and bad in all people and in all things, and who walks humbly and deals charitably with the circumstances of life, knowing that in this world no one is all knowing and therefore all of us need both love and charity.
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