A Quote by Dizzy Gillespie

You can't steal a gift. Bird [Charlie Parker] gave the world his music, and if you can hear it you can have it. — © Dizzy Gillespie
You can't steal a gift. Bird [Charlie Parker] gave the world his music, and if you can hear it you can have it.
I knew Charlie Parker, and he gave us such a gift with his music. He put so much into so little space, and it was tragic that he died so young.
[Charlie "Bird" Parker] would sit down and ask [Phil Wood], "What do you think about this whole secondary Viennese school with Schoenberg, Berg and Webern? Are you listening to that music and what do you feel about it?" These were the conversations that he was having. And he also said, what he learned from Charlie Parker was, not that he studied with him in the formal sense, is that the first thing that Charlie Parker would always ask was, "Did you eat today?".
Charlie Parker was the greatest individual musician that ever lived. Every instrument in the band tried to copy Charlie Parker, and in the history of jazz there had never been one man who influenced all the instruments.
Sometimes you think "Okay, well I'm going to play my horn, and I'm going to study Charlie "Bird" Parker solos or [John Coltrain] or whatever." But as [Phil Wood] said to me, "Man, Bird listened to everything."
The 1988 biopic of bebop immortal Charlie Parker, 'Bird,' was the film that opened my eyes to Clint Eastwood's potential as a filmmaker.
When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.
We Marines believe that God gave America the greatest gift He could bestow to man while he lived on this earth -freedom. We also believe He gave us another gift nearly as precious - our soldiers, sailors, airmen, Coast Guardsmen, and Marines - to safeguard that gift and guarantee no force on this earth can ever steal it away.
Some musicians, man, you hear the note almost before they hit it. Jimi, Coltrane and Charlie Parker were like that.
Charlie Parker lifted jazz music off the dance floor and into the stratosphere!
Percy France told me, similarly, he and Bird used to hang out. They were good buddies. And he said, "Man, we'd just walk through town, sometimes with our horns. And we'd walk by past an Irish bar. And you'd stand outside and check out the music. And Bird would go in and sit in with these traditional Irish musicians. Then we'd past a Greek restaurant and we'd hear that. And Charles "Bird" Parker would go sit in with those guys. He was just listening to everything, reacting to everything.
I didn't know Charlie Parker well, but I spent some time with him, and he was articulate and well-spoken with a lot of curiosity about music and the world. But the only way he seems to be depicted is as a junkie. And that's not the full picture.
Eventually as a teenager, I was pulled up on stage by James Brown's saxophone player, Maceo Parker, during one of his concerts and scatted on his stage for 20 minutes. After I was done, Maceo's bass player got down on one knee as if he were proposing, took a string off of his bass guitar and coiled it up around my ring finger. He hushed the crowd and said into the microphone, "Wendy, from this day forward you are married to music. You have a gift from God. You must devote your life to using this gift or else you will deprive the world of something so special." I got the chills.
[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.
I grew up listening to Ravel, Debussy, Bartok and jazz like Charlie Parker, Dizzy Gillespie, Cannonball Adderley, Charlie Christian and Django Reinhart. It was incredibly inspiring! And I was given a guitar and I said 'What the hell is this?!'
How does Parker’s body compare with yours ” Great. A pop quiz I thought recognizing his transition into lecture mode. “How does Parker’s body compare with mine Hmm.” I gave Parker a quick theatrical once-over and he smiled clearly catching on to my line of thought. “Nice legs and killer biceps. But I have better boobs. No question.
I grew up listening to Puerto Rican music like everybody else. But when I listened to Charlie Parker for the first time, I said, 'How does this guy play so fast?'
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