A Quote by Dizzy Gillespie
They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
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They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.
The philosophers of the Middle Ages demonstrated both that the Earth did not exist and also that it was flat. Today they are still arguing about whether the world exists, but they no longer dispute about whether it is flat.
For a long time, I couldn't actually deal with playing concerts, it was a totally alien concept to me, 'cos I was used to playing in clubs and dance halls.
For a long time, I couldn't actually deal with playing concerts; it was a totally alien concept to me, 'cause I was used to playing in clubs and dance halls.
With a four-string, the middle range is less of an option. That kind of 5th that you play on those A and D strings isn't there. So a lot of traditional rock sounds, you can't play them. But to be honest, there was no particular intention when I started playing with four strings. It just worked out that way and it sounded cool.
If you're playing someone who has lived, there's the risk of imitation, or whether you focus on the essence of who that character was as opposed to physical mannerisms. So, you have to figure out what it is ultimately that this particular adaptation of the story, whether it's fiction or not, is trying to say.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
Started playing indoor volleyball in 5th grade. Started playing club volleyball when I was 15. Played in high school and at Florida Gulf Coast University. Started playing beach volleyball after graduating from FGCU.
You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!”
If you're playing live, I like to think of the ensemble, whether it's the duet or a forty piece orchestra, as one person. And the entire audience, whether it's twelve people or twelve thousand at Madison Square Garden, is the other person. The two of you are going to dance together tonight.
2D looks so flat. Well, it is, of course, it's flat. But 3D isn't. And for an adventure story that takes you into a long-distant, fictional world, it's ideal, I think.
Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.
I was always too afraid to slow dance. But I do remember watching people slow dance. I was the guy on the sidelines. At the school dance, I was usually in the band, playing.
They [the New World Order] want to reduce the population [to 500 million] and their target date is May 5th of 2000. [.....] The demons who call themselves spirit guides have told them. "You know, you have to reduce the population by May 5th." Because May 5th is Karl Marx's birthday, you know, enter the Age of Aquarius. [.....] I suspect they may use Y2K as an excuse to create some little problems here, we shall have to wait and see.
I never liked dance photography; it's very flat, and dance photography in the studio looks very contrived.
At every sound check, I try to practice on the stage that we're gonna play on that night, 'cause every stage is different. Whether it's concrete or whether it's plywood or whether it's Plexiglas, it all requires different things. You can't dance on concrete as well as you can dance on Plexiglas.
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