A Quote by DJ Khaled
I didn't want to be an artist in the same place I worked. You could always have people that might feel like you would do something more for yourself.
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I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
I feel like when you're an artist and you first come out - people don't want you to be as creative as you could possibly be as a musician. More so they really want you to stick to something.
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
I always feel in a funny place when I'm really asked to inform people, so I just try to take the more absurdist route - like, "this is how you could do it, but it's actually turning into a cat now. This might happen at home I guess, but it probably won't."
There's no man alive who has any answers. We all know that. It's like the guru trip. All a guru can do is direct you to something that you probably already know about yourself, something you might want to followup on. Apply the same thing to music and records. You might get something from a particular record that hits a nerve and something inside you. But that's your vision of it.
Sometimes you meet a really nice guy, but no matter how you try, you can't seem to make yourself want him. But that's not nearly as bad as when you meet the wrong guy, and you can't make yourself not want him. You feel hollow inside, just waiting and wishing and dreaming. You feel like every moment is leading to something so amazing that there's no name for it, and if you could just get there with him, it would be such a...relief. It would be all you'd ever need.
Part of the reason I thought that I might do a series is, my dad has pretty much been on the same road to work for years and years. And it's like, "Could I do something like that? Am I so independent that I can't punch the clock at the same place?" So part of it was a kind of exercise. "Can I be responsible in this way?" And lo and behold, I could. Luckily. It'd be bad if I couldn't.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
He had never felt anything like that before - yet somehow he knew that from now on he would always feel like that, always, and something caught at his throat as he realized what a strange sad adventure life might get to be, strange and sad and still much more beautiful and amazing than he could ever have imagined because it was so really, strangely sad.
I feel like every artist has a place in their mind, this place where they exist artistically. And I just want to take people to mine, and my place is called Loveland. In Loveland, there's no war, and there's peace.
I don't like being pigeonholed. Why would you want to limit yourself to one style or one genre? Labels are something I want to avoid. I've had it my whole life, being pushed into a place, a circumstance or situation I didn't want to be in. My motivation has always been to get away from it.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
Once something gets noticed and people love you, most of the makers want to put you in the same bracket, feeling this is what the audience would want from an actor. But as an artist, I don't want to be in that space.
Everybody wants to win. You know, nobody ever wants to feel like they lost. That was probably one of biggest lessons I learned. You don't want to be that guy sort of banging fist on table telling somebody what you want. People want to feel like they had enough value on both sides that the deal worked out on both ends. I had an incredible team in place that really supported me and I would not have been able to get the deal done had it not been for those people.
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