A Quote by DJ Khaled

All of my records, I produced, put together completely. All of them. Maybe Drake might come with an idea, and I might finish it. You gotta remember what a producer is. Quincy Jones is a producer.
I was looking for Quincy Jones, that's who I was obsessed with. Watching Mike [Jackson], I always knew that I had to be a showman on stage, because when people come to you live you always want them to come back. You gotta give them something to remember.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
Sometimes a producer and an artist get together and they make magic like Quincy Jones and Michael Jackson. As far as my own music career - you could liken my chemistry with Timbaland to Marty Scorsese and Robert De Niro.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I'm not a superstar, per se... but I'm a musical creator - a producer in the same vein as what Quincy Jones was, or Pharrell and Timbaland were.
I think having a coach or an editor or whatever the novelist's producer is could help. If you finish a chapter and you turn it in to him, and he or she said, "That was pretty good, it might go better." Maybe that's what I'll try to find.
Boygenius' was the first time I produced without a producer-producer in the room. It's been crazy.
For me able to do the records I want to do and not have to worry about this producer or that producer or that trend, I'm not really interested in that.
At a party in L.A., I met this middle-aged gentleman who I was talking to for ages when I asked, 'So, what do you do?' Turns out I was speaking to legendary music producer Quincy Jones, who worked on Michael Jackson's hits. And there was little old me rattling on - I was so embarrassed.
Once I started 'Nagaram Nidrapotunna Vela' I had to finish it. I made a wrong decision. I knew the film would be a flop and told the producer so. Everyone failed - director, producer and all.
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
When I met with Peter Angell, the producer of the CD, we talked about my idea to do songs that I loved and songs that I wished I had recorded. Peter suggested that we pick some songs and see how they work with you and try to come up with arrangements and ideas about how you might want to do them.
I have a producer friend who despairs that I come across as rather frosty and never show the real me, and she might have a point.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
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