A Quote by DJ Premier

I would always have turntable elements in my records even if it was just one scratch. — © DJ Premier
I would always have turntable elements in my records even if it was just one scratch.
My mom had early rap records, like Jimmy Spicer. In the middle of the records was a turntable and a receiver - I used to scratch records on it - and on top was a reel-to-reel. In front of that wall were more stacks of records. It was either Mom's record or Pop's record, and they had their names on each and every one.
I recalled how a lot of my older siblings would go to a friend's house and borrow records to play and sometimes borrow a turntable because we didn't have a turntable in the house until I was 8, about the same time we had a TV.
It's cool to play the guitar, but to me it's even cooler to scratch a guitar backward and forward, to manipulate it with a turntable. Guitars can't do that themselves.
All the records I've made have pretty much been big club turntable records. You need to feel the rhythm.
I would not have one turntable if my brother didn't buy the turntable. I was the dreamer; he was the doer.
My mom's an art teacher, so I always had music in the house. She always had records, and I was mesmerized by the mechanics of how a turntable works.
It was very important, and I felt like music ran through my blood lines, with my father being a deejay and teaching me about records. I always thought vinyl was just intriguing. A black piece of wax that spins on a turntable and nothing but good sound comes from it. So that inspiration just keeps me going in hip-hop.
I've always loved records, even when I was a kid, my parents would buy me records instead of a lot of the other toys kids got. That's what I wanted. I've been collecting records and DJing my whole life, and I thank my parents for that. They had a big record collection and really imparted the magic of it on me.
With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
The U.S. Army records alone for World War II weigh 17,000 tons, and even the best historians have not done more than just scratch the surface. The story is such that 500 years from now people will be writing and reading about it.
The game is always going to be bigger than the man and it doesn't matter what you are doing; records or whatever, somebody is just going to come along and break your records. But to achieve something that people would always look up to is something you will always appreciate.
There's individual turntable setups devoted to piano, bass, drums and a set for soloing as well. We like to try and explore the gamut of what a turntable can do.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I've always been obsessed with contrast in records, and using harsher elements to make the quieter ones more powerful.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
Lauryn Hill's always been a hero of mine. And Bruno Mars, Janelle Monae and Adele, those are the current artists I would reference in terms of who's been able to do really amazing pop records with really cool, organic throwback elements of soul in there as well.
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