A Quote by DJ Premier

Jazzmatazz' was Guru's thing, but Gang Starr was his baby. I don't care what anybody says. That dude loved Gang Starr. — © DJ Premier
Jazzmatazz' was Guru's thing, but Gang Starr was his baby. I don't care what anybody says. That dude loved Gang Starr.
The main thing is we never dissolved our Gang Starr contract. We are still signed to each other. We never disbanded the group. If Guru really wanted to super-dead it he would have said, 'Yo, I want out.' And I still would have tried to convince him to stay. We are still Gang Starr.
Guru always titled the Gang Starr albums. But once it came to 'Hard to Earn,' he wanted me to title it.
Gang Starr was like the blueprint of my career.
I learned so much from listening to Jay-Z, M.O.P. and Gang Starr.
I know what a Gang Starr album that's done is supposed to sound like.
With 'Family and Loyalty,' I didn't already have an idea for that video. So I called Fab Five Freddy. I wanted to get a director that I didn't have to explain Gang Starr to and he was with it.
I listen to my early Gang Starr interviews, I'm like, damn I was really trying to sound like a New Yorker then.
I think the fact that Gang Starr kept getting more and more successful was the reason we never thought about our age.
I've been sequencing all of my albums, from any Gang Starr stuff to Jeru to Group Home, all of it. I pay a lot of attention to that and really always have. I've even helped sequence friend's projects.
Can Ken Starr ignore the apparent breadth of the sympathetic response to the President's speech? Facially, it finally dawned on me that the person Ken Starr has reminded me of facially all this time was Heinrich Himmler, including the glasses. If he now pursues the President of the United States, who, however flawed his apology was, came out and invoked God, family, his daughter, a political conspiracy and everything but the kitchen sink, would not there be some sort of comparison to a persecutor as opposed to a prosecutor for Mr. Starr?
The great thing was that both K-Ci and JoJo told me to not make an R&B track that was reminiscent of radio hit records. 'Make a Gang Starr track and we'll write our lyrics to that,' they told me. They couldn't stress it enough.
That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on.
I was a gang leader. Although, it was a gang for defensive purposes. It was not a gang to sell drugs.
The only time I ever really got into rap was back in the early '90s, and bands like A Tribe Called Quest, De La Soul, Gang Starr. Musically, they were really interesting. But when hip-hop acts start sampling Sting or Phil Collins, then I just don't get it at all.
Witness this new-made world, another Heav'n From Heaven Gate not farr, founded in view On the clear Hyaline, the Glassie Sea; Of amplitude almost immense, with Starr's Numerous, and every Starr perhaps a world Of destined habitation.
'The Chill,' by Jason Starr and Mick Bertilorenzi, was both a wise and nervy choice to start the year: Starr's standalone novels, such as 'Hard Feelings' and 'The Follower,' sustain a mood not unlike the perpetual unscratchable itch on one's back, and go Highsmith-level deep into the sociopathic mind.
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