A Quote by DJ Premier
I'm from the pre-Pro Tools era where you had to meet up with the artist and go over things if you wanted to record a track.
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If we really wanted to be cool, and everyone in the world had Pro Tools, we could just put it up on the internet and everyone could make their own record out of it.
Now with Pro Tools, you can play with layers and 100s and 100s of tracks. When we used to do it back in the day, you had one shot, or you would have to wipe it and carry on over that track.
The main things to rebel against - over-production, too much technology, overthinking. It's a spoiled mentality; everything is too easy. If you want to record a song, you can buy Pro Tools and record four hundred guitar tracks. That leads to overthinking, which kills any spontaneity and the humanity of the performance.
The good thing about Pro Tools is you can actually hear what you're working on, so it doesn't just become this intellectual idea. But Pro Tools can be dangerous, too. It can make things sterile.
For me, I've always been intimidated by the computer coming from the era of record industry and record stores and buying records and looking at album covers, waiting in line for records when they came out and then ultimately being successful in a band where we recording pre-computer era.
I like to work with a combination of analog and Pro Tools. I love the sound of analog tape, but there's so many things you can do with Pro Tools that would be incredibly difficult and very time-consuming with analog.
Pre 'Scam' era, I could go out with my daughter in the evening and just go out for a walk, or do things like buying vegetables or other things for the home. But now, in the post 'Scam' era, if I have to do something like that, I have to think about it many times now.
We've always used that as a goal - the record that literally every single track on it could be a hit. A record that breaks doors down, that opens up new opportunities to us, that helps you achieve true immortality as an artist.
Look at my track record for showing up to fights. Look at my track record of finishing fights. Look at my track record of getting fight night bonuses. Ask yourself if you think that if the UFC decided to truly put marketing dollars behind me that they couldn't sell me or my fights.
Yes, we record practically everything on Pro Tools.
It wasn't until people started asking me what my plans were for the future - if I would go to college or go pro - that it really hit me what I wanted to do. I decided I wanted to go pro and try to be in Wimbledon.
The greatest records in the world were made without going to Auto-tune or Pro Tools, or having some click track. If they could do it, why can't we? Something's been lost in music. It's all been over-produced, squashed down, totally compressed.
I most definitely wanted to make a record out of it. Due to the fact of the negativity and things that transitioned over the years, I just wanted to give [Chris Rivers] his space. I had this record "Danger" which Free Smith produced the beat. It was one of the first beats I got when I started recording again and one of the first I sang to.
With modern recording techniques, and living in the Pro Tools era, the process gets really drawn-out, and it can become painstaking.
Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.
Nowadays you can record on your laptop with Pro Tools, which I do quite often.
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