A Quote by DJ Shadow

When I think about the stuff I turned down it's kind of insane. — © DJ Shadow
When I think about the stuff I turned down it's kind of insane.

Quote Author

DJ Shadow
Born: June 29, 1972
When I think about the stuff I've turned down or the stuff I wasn't interested in, I don't have any regrets. Yes, there were some movies that went on to be really popular. But now, how do they really fit into things?
Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that. That's what's insane about it.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
I’m going to do a lot of weird stuff that’s not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it’s time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
For sure, you don't believe the good stuff. I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.
I think real enlightenment is total sanity, a kind of acceptance of what actually is. It does involve a kind of different way of looking at things. As I've done this Zen practice for years and years, I've acquired what I realize is an almost upside down view of life compared to what most people think, which is just what I used to think it was too. It's not really an insane view, at least I hope it's not.
To have longevity in this business, you have to reinvent yourself. You can't keep doing the same stuff. Sometimes I've turned down stuff and lost money.
It's really mind-boggling to me when I think about where I started and where I am now. It's kind of insane.
It's insane to really think about, someone is going to pay me $100 million to do what I would do anyway on a regular day; it's insane.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
Here's what I had: I had the arrogance of saying I'd like to be in a 'good' movie, so in fact, when I was hot, I turned down a lot of stuff because I didn't think I wanted to watch it.
I don't worry about being exposed. When I'm writing about myself I think about myself as a character. There is a ton of stuff going on in my life that I don't write about. If I need to write that stuff down, I write about myself in my diary.
It's not worth it, it's not about money, especially when you're dealing with a culture. It should be about elevating the idea of what we are and who we are as people in the cinema, and that kind of stuff keeps dragging us back down.
Normally you hear about Southeast London, and you hear about all the stuff that goes on down there, all the negative things, and the tabloids kind of stay away from all the positive things that happen that I see every day, which kind of outshines the negative.
I think what we need to do is to step back as a society and say okay, we've kind of turned things upside-down. We have moved away from the nuclear family, in which the man always works and the woman stays home. How are we going to rearrange things now? We've done the first part of the revolution, we've turned everything on its head, but we haven't figured out what structures will actually work in this new world.
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