A Quote by DJ Shadow

The story I always recite - and have had to recite so many times over the years to different lawyers and different people within Universal - is that the business end of Mo'Wax was basically, like, 'Give us the big ones samples first, and we'll see how we get on.' And I gave them the six or seven that were, to me, the ones that were the scariest, and the biggest use. It wasn't about the big names, necessarily - although that played into it a bit, with people like Bjork and Metallica.
My first couple of years in the league left me very unstable. I had some times where I played well, and I had some times were I really did not get the opportunity. After Rick Pitino gave up on me my first year, people were like, 'He can't play.' So I had to get over that hump.
Like, when we did Parliament and Funkadelic and Bootsy, it was actually one thing. But there were so many people that you could split them up into different groups. And then, when we went out on tour and they [the record companies] would see us all up there together - we had five, six guitars playing at one time, not including the bass! -, they said: "Wait a minute, that's just one whole group, selling different names!" But it wasn't - we had enough people in the group that each member would have a section to be another group. So now we're finally starting to get them to understand that.
I had no intention of replacing Arnold [Schwarzenegger]. There were a few things that made me want to do the movie. They were the script which had a different direction to it, and it was a chance to do a very different Quaid. I didn't read the short story until I went to college.Reading the story had a different effect on me of how I pictured him to be and the tone of the story was different. In the story, he's a bit more of an everyman.
I knew I had found my life's passion after writing my first column for The Washington Post. The response was like nothing we had seen in the business section. Everyday people were writing that finally someone was speaking to them in a way that was understandable. I think we were all shocked at how many readers wrote in to say that they too had a Big Mama who taught them about money.
Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.
I have always been a HUGE Star Wars fan since I was like 5 years old. Most of us in the writers room at Family Guy were big nerds growing up and could recite almost any scene from Star Wars.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
Many people who live in big countries like ours thought that we had resources that would work for us for many, many years, but that was a mistake. Our natural wealth corrupted us. In this country, you were among the first to raise environmental issues. In Russia, despite all of its problems today, people are concerned about the environment, and it's become a central issue on the agenda.
I was a studio engineer out in L.A. for about six or seven years, and I played sideman for different people, and played in bar bands. I was an old man of 32 when I made my first album.
Before I was born, my mom and my dad, they used to rescue dogs, so at one point, they had 13 dogs. And they were all from different litters. It wasn't like they were bred. They were all from different people. And they were all different ages. When I grew up at my dad's house, I think we had seven at one point.
Shakespeare is absolutely big in Africa. I guess he's big everywhere. Growing up, Shakespeare was the thing. You'd learn monologues and you'd recite them. And just like hip-hop, it made you feel like you knew how to speak English really well. You had a mastery of the English language to some extent.
Simon remembered a rhyme his mother used to recite to him, about magpies. You were supposed to count them and say: one for sorrow, two for mirth, three for a wedding, four for a birth, five for silver, six for gold, seven for a secret that's never been told. "Right," simon said. He had already lost count of the numbers of birds there were. Seven, he guessed. A secret that's never been told. Whatever that was.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
In sixth grade my teacher said that we had to do a talent show. You could sing or recite a poem... I went a wrote a little sketch for myself called 'Our Big World' about how many ways you could use a scarf.
We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We're kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.
I like things to be orderly. For seven years I ate at Bob's Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee-with lots of sugar. And there's lots of sugar in that chocolate shake. It's a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. All I had to do was remember to bring my pen, but a waitress would give me one if I remembered to return it at the end of my stay. I got a lot of ideas at Bob's.
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