A Quote by DJ Spooky

You know, in the sentence of humanity this place needs to be a parentheses. And when I say parentheses I mean I'm talking like you go around it. Leave it alone. Let it exist. And what I want people to see with this film is not only a respect for this place from the bottom of my heart.
I am one of those that always get accidentally guillotined when the Great Day of Liberation comes, because ... I guess ... I am full of parentheses. Revolutions can't abide parentheses.
The only time I ever follow Twitter is if I'm in a restaurant or something, just before I leave, to see if people are waiting outside. It does make you a bit of a loser, especially when someone asks you, 'Hey, you want to go to dinner at this place?' and I'm like, 'Can we have dinner at this place? It has three exits.'
Eventually, everything gets stuck between a pair of parentheses or buried in the bottom of a trunk.
Antarctica is one of the most remote and beautiful places on earth. I don't think that everyone should go there. I also think that we need to respect it as a kind of a national park for the planet. It should be you know put in parentheses.
When I'm talking about one of the things that define my career and what is most special to me, stats, they are what they are. The bottom line is you want to impact the place you go and the people you're around, and I hope I've done that in my football career, both on and off the field.
I always put myself in the audience's place and see if, as a viewer, I would want to see the film. If yes, then I want to know who's directing it, what my character is, and if it's impactful. If all these points fall in place, I'll do the film. If not, then I won't think twice before saying no.
I don't mind staying in one place for a while - I like to spend a lot of time in Los Angeles. It's a place where nobody goes out, where people will leave you alone. People in Los Angeles love themselves and they love what they do and they leave you alone. If you're isolated, you have a real advantage. You can work.
I feel like I'm dropping such a long way down again." "I seem to be dropping into a cold dark wet place, where no one's been before and noone can every follow. There's no future there; just a past that sometimes fools you into thinking it's the future. It's the most alone place you can ever be and, when you go there, you not only cease to exist in real life, you also cease to exist in their consciousness and in their memories.
Living in a place like Pakistan, very often you meet people who are migrating abroad. And sometimes you'll ask their parents, you know - you didn't try to stop them? Like, why didn't you say, don't go - I'll miss you? Stay with me. And, you know, people say, well, it's best for them. They have to go. And parents, you know, take on that sadness because they know it's better for their children if they leave.
It's not an easy place to be - to write a horror film. You go down the stairs to the dark to find these characters. It's not a place anyone can go, and sometimes it's not a place that you want to go.
I knew that the world around you is only uninteresting if you can't see what is really going on. The place you come from is always the most exotic place you'll ever encounter because it is the only place where you recognise how many secrets and mysteries there are in people's lives
Jewish villages were built in the place of Arab villages. You do not even know the names of these Arab villages, and I do not blame you, because these geography books no longer exist; not only do the books not exist, the Arab villages are not there either. Nahalal arose in the place of Mahalul, Gevat - in the place of Jibta, Sarid - in the place of Haneifs and Kefar Yehoshua - in the place of Tell Shaman. There is no one place built in this country that did not have a former Arab population.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
I feel like every artist has a place in their mind, this place where they exist artistically. And I just want to take people to mine, and my place is called Loveland. In Loveland, there's no war, and there's peace.
They looked at each other like a pair of parentheses.
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