A Quote by DJ Spooky

I usually am very specific about how I engage information, how I engage people, what context I'm engaging and, above all, the research that goes into each of those.
The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information.
I think we need to ask serious questions about how we engage militarily, when we engage militarily, and on what basis we engage militarily. What kind of intelligence do we have to justify a military engagement?
Culture is an output of a bunch of inputs that have to come together the right way. Specifically, it is the collision of people and their context, how they interact with each other in that context, and then how that context evolves based on those interactions as they multiply.
Twitter is incredibly useful. It's a great example of how the Internet is changing the way we engage with information and text. Above all else, this change in the nature of engagement is fascinating for me as a writer.
To find the best moves great Masters, with years of experience, engage in laborious research, and the moves thus found are blindly repeated by amateurs without any attempt to fathom their real meaning and how and why they stand in their context.
I was interested in how we engage the world. How do we use our skin as our eyes? If you read a cityscape or a landscape with just your mind, and not your body, it becomes like a picture or representation, not something you really engage with.
I spoke at TED Global 2010 about the ways that video games engage the brain, and in particular, the idea of reward structures: how a challenge or task can be broken down and presented to make it as engaging as possible.
I think character is very much a product of where you live, who you are, what is happening in that time of your life, and I'm interested in those pressures, those forces. A political context, a social context, really determines if not who people are then how they treat one another and what they say, how they speak.
Literature offers the thrill of minds of great clarity wrestling with the endless problems and delights of being human. To engage with them is to engage with oneself, and the lasting rewards are not confined to specific career paths.
I would ask, "How can one have a technological society without research? How can one have research without researching dangerous areas? How can one research dangerous areas without uncovering dangerous information? How can you uncover dangerous information without it falling into the hands of insane people who will sooner or later destroy the human race, if not the whole of life on earth?" Who knows? God only knows!
What I notice about people who are gifted in filmmaking is that they're great thinkers. They engage with big ideas and they engage with people.
We're very concerned with language and how language works. We're trying to engage people rather than dictate how they should be thinking.
Daily we see how demographic change and uncertainty about what it means to be British is exploited by those with their own agenda; those who employ divisive rhetoric, engage in scapegoating and do nothing to tackle root causes of the insecurities people face.
When you're as tall as I am, you have no public privacy. People are constantly coming up and talking to you. Constantly. You have one of two ways to go: you engage with people, or you become really bitter. I choose to engage.
Charisma seems to be more about the intoxicating quality that you have on other people, as opposed to presence, which is more about the self in relation to others, and how you feel you represented yourself in a situation, and how you were able to engage. So it's less about how others see you and more about how you see yourself.
What many commentators have missed in the ongoing attack on Edward Snowden is not that he uncovered information that made clear how corrupt and intrusive the American government has become - how willing it is to engage in vast crimes against the American public.
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