A Quote by DJ Yella

Me and Dre go back so far - a long 30 years - even before N.W.A. The way we talk to each other now is the same way we talked when we first met. No big heads, no ego stuff.
Sometimes you have to gag on fancy before you can appreciate plain, th' way I see it. For too many years, I ate fancy, I dressed fancy, I talked fancy. A while back, I decided to start talkin' th' way I was raised t' talk, and for th' first time in forty years, I can understand what I'm sayin'.
But now well democracy has shown us that what is evil are the grosses têtes, the big heads, all big heads are greedy for money and power, they are ambitious that is the reason they are big heads and so they are at the head of the government and the result is misery for the people. They talk about cutting off the heads of the grosses têtes but now we know that there will be other grosses têtes and the will be all the same.
Everybody has their own way of hearing songs. My fans are usually pretty on point. Sometimes they go all the way to the bottom of it. It's fascinating to me how far an idea can go. I wrote most of my first album in my mom's kitchen, and now I can go around the world and hear people recite those lyrics, and understand the story, even though they're not from the same area I grew up in.
What I call a mimetic crisis is a situation of conflict so intense that on both sides people act the same way and talk the same way even though, or because, they are more and more hostile to each other.
I'll get angry in the same way with the coachman Ivan, argue in the same way, speak my mind inappropriately, there will be the same wall between my soul's holy of holies and other people, even my wife, I'll accuse her in the same way of my own fear and then regret it, I'll fail in the same way to understand with my reason why I pray, and yet I will pray--but my life now, my whole life, regardless of all that may happen to me, every minute of it, is not only not meaningless, as it was before, but has the unquestionable meaning of the good which it is in my power to put into it!
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.
Pharoahe Monch is a long time supporter of my music and I'm a long time supporter of his music so when we met each other it was almost like a natural occurrence.I met him before a few years earlier and we were just politicking with each other and we had a conversation about possibly doing something but our schedules have always been in conflict.
Nature only goes so far. Nurture, what you raised on and what you ingest as a youngster, it really affects you when you grow up in really subtle, long drawn-out ways. And to find that, to hear that thing again all those years later and to realize that was the source, it's like, "What else has me twisted?" So now I'm going back to robots and cartoons; I go back to all this to see what got me the way that I am.
Its okay, Beth.I don't want my life to go back to the way it was before i met you.I thought i had it all,but really i was missing something. feel like a completely different person now.This might sound corny,but i feel like i've been asleep for a long time and you've just woken me up.
When I went back to my old high school, all these kids looking at me like I'm the real big homie, the same way I look at Jay Z, Nas, or Dr. Dre. You would've thought Michael Jackson walked through that joint off the excitement that they had.
I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.
Don't forget, I was a musician long before I ever met Prince. That's a big difference between me and those other women he's worked with. We operate on the same plane, as equals.
I think baseball has such a way of humbling you. You can go 20-for-20, and before you know it, you're going to go through an 0-for-30. It has that way of knocking you back down to earth.
It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.
I was talking to Cecil [Castellucci], who writes Shade, and I was saying to her, and she was saying the same thing, that I'm not even the same person who wrote the first issue of Doom Patrol, and that was six months ago. I'm a totally different person now, already. It's weird to look back at stuff, but it's an honor that there's a legacy of people who still keep it in their heads. It's really cool!
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