A Quote by DJ Yella

When Run-DMC came to the club, we saw how simple their show was - wasn't even a 10-minute show - and we, like, looked at each other and said, 'We can make records.' — © DJ Yella
When Run-DMC came to the club, we saw how simple their show was - wasn't even a 10-minute show - and we, like, looked at each other and said, 'We can make records.'
Once when I was cooking I burned my arm with scalding water. I went to the Emergency Room of the Hospital. When the doctor came in he looked at me and looked at my chart, and looked at me and looked at my chart, then looked at me again and said, "I loved your show!" He told me that when he was doing his internship he would come home every night stressed out, but he would watch a late night rerun of the Andy Griffith Show and relax and fall asleep. He said, "I wouldn't be a doctor, if it wasn't for the Andy Griffith Show".
I'm of the generation that discovered Aerosmith because of Run-DMC. They just looked crazy to me. They were the dudes in the Run-DMC video. That's who Aerosmith was.
I'm really thankful to have my own record label. I've always looked up to people like Madonna when she launched Maverick Records. Even Jay Z and Sean "Puffy" Combs, who's a mentor and also gave me a shot when I was an independent artist in Atlanta. He came to my show, and he said, "I just want people to know about you."
Say, I was on The Craig Kilbourne Show and the next day I flew to Minneapolis. I was at the airport and a guy came up. He said, 'Dude, I saw you on TV last night.' But he did not say whether or not he thought I was good, he just confirmed that I was on television. So I turned my head away from him for about a minute, then I turned it back. I said, 'Dude, I saw you at the airport about a minute ago. And you were good.'
Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.
It's not like we have a formula, but I think one of the reasons this show has survived is that it has a big heart at its center. Other cartoon shows have people crap on each other and make racist jokes. But I don't think people tune in for that. I just don't think a show lasts for 10 years without a heart.
Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."
One day my wife went and saw the accountant and said she's pulling the plug. She said you guys are done. I said, how bad can it be? 10 grand? She said you're not even close. It came out to almost $50,000 in alcohol for two months.
I grew up on listening to, like, Mantronix and BDP and EPMD and Kool G Rap and Ultramag and Public Enemy and Fat Boys and Run DMC and a lot of those early records, those Rubin-era records. Those were always snare- and stab-heavy records.
Some guy came up to me with his kids, ages probably 10 and 12, and said that the reason he likes me is because he sat through an hour and twenty-minute show, and I didn't cuss one time. So it just really depends.
I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.
When I was first pitched the show, I was like, 'Oh, God, a soapy show called 'Mistresses.'' But it wasn't that at all. It wasn't a bunch of women pulling guns on each other and stabbing each other in the back. We really have a core friendship.
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
The first time I did a show, I definitely didn't get any money. My friend just let me do this show. I was so nervous: my mic didn't work, and I was like, 'Urgh.' It was terrible. It was a dingy club off of the highway, but all these people came. It was packed out.
Look at every show on television; it's derivative of another show that came before it. It was only a matter of time. So all you 'Mentalist' fans, it's okay to like the show, but don't be in denial of where it came from. Friday nights, U.S.A., basic cable-style baby.
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