A Quote by Djimon Hounsou
We like to make the Marvel comics films because they're fun. Families can go see them together. They're entertaining. They aspire to inspire, and that is cool.
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In early comics, you see the amazing awkwardness and bizarre reasoning in the storyline, and it's because comics hadn't really been invented yet. There was no format for them to follow. They were just making it up. So I try to incorporate that kind of awkwardness in my comics quite frequently, which is odd. In some ways, I can't be as awkward as I'd like. But I do think that's one way in which my comics are unusual, because I will try to make the artwork look bad, occasionally.
The films that have influenced me most are: 'The Hustler', 'Badlands', 'Hud', 'Tender Mercies', 'Cool Hand Luke', 'A Perfect World', and 'Laurence of Arabia'. I also really like 'Fletch'. I feel like all of these films reached an honest place in regard to the human condition while also stringing together really entertaining stories.
My hero in comic books is Jack Kirby: 'Spider-Man,' 'Fantastic Four,' 'Captain America,' Marvel Comics. He was really the basis for Marvel Comics.
I have grown up reading Marvel Comics and Marvel movies with their intricately woven storylines. It is fascinating to see how Marvel has created characters and stories that resonate so well with audiences across the globe, making movies at a scale that one had never before imagined.
I got into comics because I wrote an 'X-Men' novel for Pocket Books, and I introduced myself to the head of recruitment at Marvel. I'd heard through the grapevine they liked the book, so that gave me the courage to go up to them and be like, 'Hey, if you ever need a writer, here I am.'
On 'Euphoria,' it's so fun because we're all the same age, so being able to hang out and go out together and go to different events together has been so fun compared to always being the youngest on set, which was really fun, but it's like, you're going to go home to your husband or wife, and I'm going to go home to my dog.
If you look at Marvel Comics, there are very few Marvel characters I would like to write.
It was fun and something I could do together with my wife and kids. We were all hand-washing bottles, cleaning and bottling together. It was like families that cook together - we just happened to brew together.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
The best thing you can do with actors is collaborate with them. My job is to inspire them to give their best. And they're only inspired if they feel they are part of the creative process, otherwise they'll shut down. So my goal is always to ask people what they would like to do before I even say my opinion. I usually don't know anything until I see it. I'm a fetish filmmaker - I make films based on what I want to see.
I go to see films at the multiplex because they are not good films, and so I don't have to think about things like death, social oppression, or yes, my fertility, while I watch them.
To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.
I've always been a Marvel fan. As a kid, I would pick up a two-foot stack of comics and read them in the back of my dad's car on long journeys across the States. That's how I used to make friends - I'd meet up with other kids, and we'd swap comics.
'Derry Girls' just has a sense of knowing exactly who these people are and also a fun memory of how things were, even in spite of all the chaos around them. It's very entertaining and it stays wonderfully buoyant because it focuses on the kids and the families.
I was a dancer, and it's not really cool for a boy to dance, so it was inspiring to see a movie like 'Footloose' where a guy is dancing masculine and had a proper reason behind it. It made me feel cool, and when these kids would make fun of me, I'd be like, 'Oh, didn't you see 'Footloose,' man?'
I was a dancer, and it's not really cool for a boy to dance, so it was inspiring to see a movie like 'Footloose' where a guy is dancing masculine and had a proper reason behind it. It made me feel cool, and when these kids would make fun of me, I'd be like, 'Oh, didn't you see 'Footloose,' man?
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