A Quote by Dmitry Peskov
You can't treat Russia like a guilty schoolboy who has to put a cross on a piece of paper to show he has done his homework. That kind of language is unacceptable.
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I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
I'd love to claim that what I have done in my life is of my doing, but it's not of my doing at all. I've blown around in the wind like a mad thing, influenced by this and that - like a piece of paper: like the boy in that scene in 'American Beauty' watching a piece of paper blowing hither and thither.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
A lover goes toward his beloved as enthusiastically as a schoolboy leaving his books, but when he leaves his girlfriend, he feels as miserable as the schoolboy on his way to school. (Act 2, scene 2)
The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.
It is absolutely unacceptable to talk to Russia - or anyone for that matter - in the language of ultimatums and coercive measures.
The woodchopper reads the wisdom of the ages recorded on the paper that holds his dinner, then lights his pipe with it. When we ask for a scrap of paper for the most trivial use, it may have the confessions of Augustine or the sonnets of Shakespeare, and we not observe it. The student kindles his fire, the editor packs his trunk, the sportsman loads his gun, the traveler wraps his dinner, the Irishman papers his shanty, the schoolboy peppers the plastering, the belle pins up her hair, with the printed thoughts of men.
he(Quinn)put his hand out to his friend. “I’ll lay my life down for you.With or Without that piece of paper
To put it in plain language, Russia is that country where the name of a writer appears not on the cover of his book, but on the door of his prison cell.
People have to identify with something to show they have reached a certain goal. Anyway, in Russia it's done with medals. You put on all these medals to show who you are.
Several years ago we had an intern who was none too swift. One day he was typing and turned to a secretary and said, "I'm almost out of typing paper. What do I do?" "Just use copier machine paper," she told him. With that, the intern took his last remaining blank piece of paper, put it on the photocopier and proceeded to make five blank copies.
I love players like Thurston Moore. I mean, you can put notes down on a sheet of paper, and if you practice and get your chops up, you can play like an Eddie Van Halen or a Steve Vai. But nobody can do what Thurston Moore does; he's his own guy. He talks through his instrument in a language that's all his own.
I don't much enjoy travelling, but I have always longed to take a slow train to Russia. I'd like to go alone - like writers do - with only a pencil and piece of paper as company. I'd take my sketchbook and note down all the wonderful details of other travellers.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
A new thing I've been doing is just making sure I clear off my desk and try to only touch a piece of paper once, so I get the mail, open it up, deal with it then. My son's homework, or what I get from his teachers, the same way. That way, it's not nagging me, things to add to my to-do list.
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