A Quote by Doc Brown
I think everybody wants to be the best at what they do and for me I was never really there, plus it was in a time that just preceded the insanity of internet promotion around 2005 and 2006. Obviously through the digital revolution things have moved very quickly and a lot of artists got left behind.
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I was born in Cairns, Queensland. Then my parents and I moved to Sydney. We moved to New Wales. We moved around Australia. I was just really close to my parents, and actually, we moved around a lot when I was very young. I think it played a big part in making me the shy teenager that I was.
When I was 16, I took the written driving test, just like everybody else did, and I passed it. Then the first time I was behind the wheel of a car, when I was a kid, it kind of freaked me out. I've always been a very anxious student of anything, and so not being able to process things quickly enough, feeling overwhelmed, I just got freaked out and so I just never tried again.
The 24/7 internet connection means we're never really free and we always feel behind. The Internet also continually entices us to explore its options through hyperlinks and ads so we can spend a lot of time on things for which we have little to show, adding to our unrest.
The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.
People over the age of thirty were born before the digital revolution really started. We've learned to use digital technology-laptops, cameras, personal digital assistants, the Internet-as adults, and it has been something like learning a foreign language. Most of us are okay, and some are even expert. We do e-mails and PowerPoint, surf the Internet, and feel we're at the cutting edge. But compared to most people under thirty and certainly under twenty, we are fumbling amateurs. People of that age were born after the digital revolution began. They learned to speak digital as a mother tongue.
There's always a question when you invest. Are you too early, are you too late, or are you just right? And there was a lot of hype about life sciences, around the sequencing of the human genome and a lot of people concluded that's not really there. But by the way, there was a lot of hype around the digital revolution just about the time of 2000 and the human genome, and it turns out that some of the world's biggest, most powerful companies are the survivors post that crash.
Basically, the Internet is just the way now. It's the end-all, be-all of self-promotion. It's not like you got to burn CDs and pass them out or sell them. The Internet is a tool that reaches billions and billions of people. It's like a no-brainer to tie it in with self-promotion, or even label promotion.
The Internet is the best and worst thing to happen to writing. It makes it so easy to quickly satisfy a lot of curiosity but it dampens curiosity for the same reason. It removes the obstacles that used to make hunting for knowledge sexy. I don't have Internet at home, so that helps. I try not to peek at the Internet through my phone when writing, but I don't have very good stamina.
I came to New England Revolution as an assistant in 2000 and I took over the hot-seat a couple of months into that season. We got to the MLS cup final that year, and in 2004, 2005 and 2006 - but we lost all of them.
I come from a visual background, and I grew up around a lot of hippies and artists. My mom and my brother and I moved around a lot. We basically moved every couple of years, and I went to a lot of different schools. But creativity, for us, was always a way of life. It was never a job. Being an artist was a passion and a way of life.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
I like the Internet as place to get instant gratification: posting a comic online is the quickest way to get attention for your art, but I have been talking to a lot of younger, aspiring cartoonists who very quickly get discouraged if they aren't getting a lot of attention immediately. This can also be aggravated by artists who appear to be really quickly Tumblr-famous, and get lots of notes on their work.
The things I connected with Zurich about were that he is a selfless person; he wants the best for everybody. He wants to see everybody win. And he's a strong person. A lot of the time, he doesn't wear his emotions on his sleeve because he wants to stay strong for his line brothers, his family, his mom, everybody. I feel like I can relate to that.
There were no Manchester United fans protesting when I left their club in 2005. I wasn't one of their most important players, so I moved on, worked really hard, got my breaks, and my career took off.
A lot that was happening in 2005, 2006, good and bad, the beats reflected it. It was a lot of money around. People was making music to throw money to.
If I had to do a lot of promotion as a kid, it would have been very intense. I'm really glad I got to go through high school, have a college experience, and have the last five years since then, just... being a person.
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