A Quote by Doc Brown

I got into music via the competitions; the first time I ever performed was in a kind of rap battle, competing for money. — © Doc Brown
I got into music via the competitions; the first time I ever performed was in a kind of rap battle, competing for money.
Without the piano, I would never have attempted to rap, because I'm a poor rapper. I'm enthusiastic, but it takes me a long time to write eight bars of rap. I would battle any pianist, and yet I would forfeit happily before even getting into a rap battle with anyone.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
I think rap in the street when they have rap competitions is thrilling because these kids are making it up and having a go at each other. They've got something to say. This is about getting their frustrations out.
I really love rap music. I grew up in the '80s and '90s with Public Enemy, N.W.A., LL Cool J - I'm a hip-hop encyclopedia. But I got kind of frustrated with the chauvinistic side of rap music, the one that makes it hard to write songs about love and relationships.
But, Eminem... No, I've loved rap for a long time, especially when it got out of its first period and became this gangsta rap, ya know this heavy rap thing? That's when I started to fall in love with it. I loved the lyrics. I loved the beat.
My first time doing music was on acoustic guitar. I had a friend from Texas who taught me so much country, I entered a few country competitions. But eventually, I got tired of it.
It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."
The money factor had been kind of my excuse as to why I hadn't put out any music. So I just found the cheapest way to make music and get it to people, and that was via the Internet.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
I've been watching battle rap since that time period when Cassidy was hot, Murda Mook and Lux first when at it. That was a very pivotal time in hip-hop.
What I miss is a time when hip-hop music had integrity; there was some kind of message. Not in all the music, because it's not for that, but there was at least something that got through that had some content that was sensible and positive, not just hooky junk-food rap.
If you ever want to know why I'm not on a record label, look at 'The X Factor!' Honestly, of all the people that strive to break barriers in music and do good things and write great lyrics, not one of them would ever pass the first round on any of these competitions.
I started taking part in college competitions... my first-ever performance with a band was in McDonald's, and I got Rs 500. I still have the note.
Being a competitive dancer is an expensive business - you have to buy the £2,000 or so tail suit and the shoes, and then get yourself around the world to the competitions. And there is not a lot of money to be made in competing.
I didn't get into music until the early 90s when I heard rap music for the first time.
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