A Quote by Dodie Smith
Time takes the ugliness and horror out of death and turns it into beauty.
Related Quotes
What people love about life is its miraculous beauty; what they hate about death is the loss and decay around it. Yet losing is not losing, and decay turns into beauty, as beauty turns back into decay. We are breathed in, breathed out. Therefore all you need is to understand the one breath that makes up the world.
The ugliness of the beauty is much horrible than the ugliness of the ugliness.
Ugliness is more inventive than beauty. Beauty always follows certain camps. I think it's more amusing - ugliness - than beauty.
Since hearing beauty in something is essentially a positive response and hearing ugliness is negative, might it ultimately be more difficult for an open-minded listener to define ugliness than it is to define beauty?
Absolute ugliness is admitted as rarely as perfect beauty; but degrees of it more or less distinct are associated with whatever has the nature of death and sin, just as beauty is associated with what has the nature of virtue and of life.
I prefer ugliness to beauty, because ugliness endures.
It is better to sit in appreciative contemplation of a world in which beauty is eternally supported on a foundation of ugliness: cut out the support, and beauty will sink from sight.
The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which mankind is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshiped for their life-giving beauty rather than their death-dealing powers.
Everything in the world has its two faces, however. Weeds sometimes blossom into artful flowers. Beauty walks hand in hand with ugliness, sickness with health, and life tiptoes around in the horned shadow of death. The trick is to recognize which is which and to recognize what you're dealing with at the time.
It has, moreover, been proven that horror, nastiness, and the frightful are what give pleasure when one fornicates. Beauty is a simple thing; ugliness is the exceptional thing. And fiery imaginations, no doubt, always prefer the extraordinary thing to the simple thing.
It is not expensive to be beautiful. It takes only a little effort to be presentable and beautiful. But it takes some effort. And unfortunately people think of beauty as luxury, beauty as frivolity, ... or extravagance. Beauty is a discipline, beauty is art, is harmony, in the ideological sense and in the theological sense, beauty is God and love made real. And the ultimate reach in this world is beauty.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
Horror grows impatient, rhetorically, with the Stoic fatalism of Ecclesiastes. That we are all going to die, that death mocks and cancels every one of our acts and attainments and every moment of our life histories, this knowledge is to storytelling what rust is to oxidation; the writer of horror holds with those who favor fire. The horror writer is not content to report on death as the universal system of human weather; he or she chases tornadoes. Horror is Stoicism with a taste for spectacle.
Happiness does away with ugliness, and even makes the beauty of beauty.
It is because every one tinder Heaven recognizes beauty as beauty that the idea of ugliness exists.
It doesn't take any longer to improvise 10 takes than it takes to shoot 10 takes of the same thing. It turns out to be just as responsible from a business point of view as anything else.
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