A Quote by Doja Cat
I am whatever you want me to be and I can't control that. My experience is my experience, but I can't really claim anything. I know when I take my wig off at night and I have to twist my hair up, I'm black. But I don't get too personal most of the time.
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I don't need to control the mind of my viewer. Now this might sound contradictory because I want to make these installations set up an environment that will produce a certain kind of experience in the viewer, but beyond a certain point, I take hands off and leave it up to chance and personal experience. So maybe it's a marriage of control and no control we're talking about where the artist produces the artifact or the environment and then walks away from it, and the second half of the equation is the viewer and their personal history and how they feel about what they're experiencing.
I talked to members of my family, and did some personal research that didn't really have anything to do with the time and place I was writing about, but that gave me a feeling of the experience of being black in a time and place where it was very difficult to be black.
When I was Elvira, it was probably the phase of my hair getting too high. I thought that if really high hair was good, then really higher hair was even better. So I just started having my hair get higher and higher. In some of the pictures, we had to cut off the picture because it was like Marge Simpson. So that was embarrassing. The wig phase.
I laugh about it all the time, but, for whatever reason, a lot of people think that I wear a wig. I get emails and tweets about people commenting on my hair being a wig. It's one of the strangest but most entertaining things I've read about myself online.
Like most men, I can't say I am thrilled my hair's falling out, but then, if I really cared, I suppose I would wear a wig, get transplants, or start taking special pills, so I am obviously just putting up with it.
I really didn't feed off the whole Olympic experience at all, and I regret that from an athletic perspective, and also from a personal experience. I feel like I missed out, so I'm not going to do that this time.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
The 'Lone Star' experience was tough at the time, but it really allowed me to look at things from a 3,000-foot high view. You can think something is the greatest thing in the world, but, as we know, anything can happen. It really taught me that I always want to make choices that I believe in artistically. No one can take that away from you.
I want to be black, to know black, to luxuriate in whatever I might be calling blackness at any particular time, but to do so in order to come out on the other side, to experience a humanity that is neither colorless nor reducible to color.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.
Life will give you whatever experience is most helpful for the evolution of your consciousness. How do you know this is the experience you need? Because this is the experience you are having at the moment.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
For me, personally, there is one really interesting thing. You're all a bit too young for that, but when you get to a certain level of experience, accumulation of experience you start slowly to once in a while get a whiff of the feeling, I'd love to be twenty years younger but with what I know and have experienced at this point.
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited, and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
I've been acting since I was six. I actually played a boy when I was six in 'Tommy.' I played Tommy and they put a wig on me. They put up my hair and put this little boy wig on me and that was my first acting experience. Then I did some other professional theater. I did Shakespeare when I was older.
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