A Quote by Dolly Parton

Bob Dylan, Neil Young, Merle Haggard, Hank Williams. All of them are different styles, but those are the songs that make the times. They're the songs that last through time.
I learned Neil Young songs, Bob Dylan songs and older songs. It wasn't until I moved to Philly that I had aspirations to maybe forming a band.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.
I love Neil Young. His songs were the first songs I learned to play, and I recommend anyone who is starting guitar to learn Neil Young songs first.
I was mainly influenced by the Carter Family, Jimmie Rodgers, Loretta Lynn, Merle Haggard, and others like Bob Dylan, Johnny Cash.
I think everyone mentions Bob Dylan, but he's someone I just admire so much as a songwriter. I think people write songs, and then there's Bob Dylan songs. He's one step ahead of just everybody else.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
If I'm listening to country, it's Hank Williams, George Jones, Merle Haggard and stuff like that. If people out there don't take that stuff seriously, well, they just haven't listened to it and don't know what they're talking about.
I liked Western country, like cowboy songs, when I was a little kid. Then I developed a taste for Hank Williams and those sort of songs as I got a little bit older.
It's sort of irritating now - people always ask me, "You're a dad, and how's fatherhood?" If Bob Dylan or Neil Young had a kid, it didn't seem like it made them a different person. It didn't make you old right away.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
I love Willie Nelson's 'Phases And Stages'; there's so many songs from The Band and Bob Dylan that have gotten me through hard times, like 'Tears Of Rage.' I love Karen Dalton's 'In My Own Time' and Skip James.
I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
Country music is full of affairs and cheating; that's where all those Hank Williams songs come from.
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