A Quote by Dolly Parton
If I had to give up performing, it wouldn't bother me too much. But I couldn't live without my writing. I put all my feelings, my very soul, into my writing. I tell the world in my songs things I wouldn't even tell my husband.
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Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
If I had to give up everything else and keep just one aspect of the job, I'd have to keep writing because I love it. Yes, I enjoy performing, too. But I couldn't give up writing material.
I had an advantage over a lot of people who had gone to school and earned degrees in writing and had learned the rules for writing, so to speak. My style was just to tell a story but to tell it well, and that has worked out for me so far.
The easiest thing I do is assignment songs. They tell me what they need me to write. I can do that fairly quickly. Writing for an orchestra is difficult. Writing songs [on your own] is most difficult of all. Though [writing for] the orchestra is close.
Actually, I never tell for whom my songs are written. It's a kind of superstition! I started writing songs for not having the courage to say certain things in people's faces and started to put these feelings on paper... Over the years, became a mania and then I never talk about for whom they are made.
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
If you're writing songs by yourself, who's going to tell you if it's good or not? But if you're writing songs with somebody else, you get that immediate feedback.
I can't tell you too much about it because I'm not even meant to tell you that I'm in it. In fact, I might never work again now that I've been talking to you. I'm not in it for very long, let's put it that way.
I think I had a lot to do with why there's even a thing such as 205 Live. In the past, when they started that, they didn't even acknowledge me. I've gotta lie to tell you that that didn't bother me.
I didn't know until high school that I was interested in writing in any real way. But there was this boy that I had a crush on, and I used to tell him all the time what I felt about him. Finally he gave me a blank journal and said to write it all down - and it didn't take me very long to realize how much I loved writing.
Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
I was still very hopeful that much work lay ahead of me. Perhaps because much of what I had worked on or thought about had not yet been put into writing, I felt I still had things in reserve. Given this optimistic nature, I feel this way even now when I am past sixty.
I wish I had time to do more reading, but I just haven't had much time. But I still find time for writing. I've always preferred writing over reading, even though those things do go hand in hand. But when I do have time, even if it's not writing music, just writing in general - ideas and stories and things like that.
My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.
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