A Quote by Dolores Huerta
I always thought it was wrong for me to take credit for the work that I did. I don't think that anymore.
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I've done everything for the wrong reasons. All the good works people credit to me are nothing because I did them expecting God to repay me. I thought if I worked hard enough, God would have to give me what I wanted. The truth is I've never served the Lord at all. I was always serving myself.
[Newton wrote to Halley ... that he would not give Hooke any credit] That, alas, is vanity. You find it in so many scientists. You know, it has always hurt me to think that Galileo did not acknowledge the work of Kepler.
My mom is always with me. When I made my major-league debut I told her, 'That's it. You don't work anymore. I'm going to work and take care of you.
My innocence didn't always help me, but it did preserve something in me that maybe others don't have anymore. I'm inside my bubble, you could say, and thankfully so, because I don't think daily life is always great. It protects me.
I think I have it all. But I won't say that the credit for all that goes to me. I think the credit for all that goes to everybody around me. I mean, I have it all because my entire family is so cooperative. I have it all because my children did not whine and cry when I was not there. So, I think it's, you know, in a way, a two-way street.
I thought, 'If I go to uni, I can read and watch people and take many different subjects - take philosophy modules - and have time to travel in the summers,' which I did. I thought, 'I hope this will make me a better actor,' and it did.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
People might think I'm very hard, what with my black make-up, my hair over my eyes, etc. My innocence didn't always help me, but it did preserve something in me that maybe others don't have anymore. I'm inside my bubble, you could say, and thankfully so, because I don't think daily life is always great. It protects me.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
I think I've had a fairly meandering career. Because I did start so young, I think that I've always chosen my parts based on what's interesting to me and what I think would be challenging or fun, or someone I've always wanted to work with or a place I've always wanted to work in or a topic.
Who knows what Yale thought it was getting when it hired Richard Rodriguez? The people who offered me the job thought there was nothing wrong with that. I thought there was something very wrong. I still do. I think race-based affirmative action is crude and absolutely mistaken.
There will always be times where you think, 'What went wrong? Why wasn't that one more popular?' You can't always figure that out, especially if you think you've done the best job you can do and was interesting to you. I mean, 'My Soul to Take,' I thought should have done much better, and I still like that film a lot.
It has never mattered to me that thirty million people might think I'm wrong. The number of people who thought Hitler was right did not make him right... Why do you necessarily have to be wrong just because a few million people think you are?
His eyes softened. I thought maybe he pitied me, but it was something else. "Ultimately, it will be your burden to bear. It's always the Mortal who bears it. Trust me, I know." "I don't trust you and you're wrong. We aren't too different." "Mortals. I envy you. You think you can change things. Stop the universe. Undo what was done long before you came along. You are such beautiful creatures." He was talking to me, but it didn't feel like he was talking about me anymore. "I apologize for the intrusion. I'll leave you to your sleep.
For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.
I was feeling like I'd been born in the wrong place at the wrong time with the wrong people. I don't believe that anymore, not coincidentally two years after writing Eileen. I think that was the driving curiosity for me, thinking about real and fictional characters who could respond to that problem.
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