A Quote by Dolores O'Riordan
I didn't know initially whether I'd like doing TV and whether I'd be able to work with other people. I've always done my own thing. I've never put myself into that situation, but it's the most fun I've had in years.
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Will it/won't it be back kind of game is never fun but I've been doing it for over 10 years and it's the name of the game really. As an actress, you never know what next year's going to bring, whether you're doing films or seasons for TV. It's just the way it is. You can let it drive you crazy, or you cannot. I choose not to let it bother me too much and just always hope for the best.
There is nothing -- absolutely nothing -- half so much worth doing as simply messing about in boats. In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not.
If I really want to improve my situation, I can work on the one thing over which I have control-myself. I can stop trying to shape up my wife and can work on my own weaknesses. I can focus an being a great marriage partner, a source of unconditional love and support. Hopefully, my wife will feel the power of proactive example and respond in kind. But, whether she does or doesn't, the most positive way I can influence my situation is to work on myself, on my being.
I feel like there's no reason to put myself through what I put myself through for 20-something years on airplanes, especially these days. You don't know whether your pilot is going to drop dead over the ocean; you don't know when you try to land whether the wheels are going to come down; you can be searched and seized and detained and quarantined.
If I feel that I'm not able to do my best work - whether that's my own fault or as a result of an editorial situation - then I need to stop doing it. I would rather not do something than do it badly or ineffectively. It's the only way I can live with myself and do right by the fans in the long haul.
I find myself, after all these years, with a built-in safety-brake that stops me from doing certain things. And one of the reasons why I want to try so called hard pornography - I don't even know whether it's hard enough - is to see whether I will be able to overcome this. Because if there is one thing I hate, it's good taste, to me it's a dirty word.
You know what needs to be done when you're a writer. You know what the job is, particularly if you're an African American writer, or if you deal with people, or if your subjects are poor people or people who need voice. So you don't really need to know whether or not you are doing the right thing. What you have to be wary of if you're doing the right thing to the right level that will surpass your own life. I'm hoping that my work will surpass my own life.
I like change. I've never really had much consistency in my life, you know, from everyday work to my living situation to whether or not I'm going to be in L.A. The one constant thing in my life is my friends and family, which is all I need.
I like change. I've never really had much consistency in my life, you know, from everyday work to my living situation to whether or not I'm going to be in L.A. The one constant thing in my life is my friends and family, which is all I need
Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I did.
And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.
Things like Kitchen Cabinet, I'm not sure they necessarily tell the Australian people whether you have judgement, whether you have discernment, whether you have intellectual acuity, whether you are able to develop policy, whether you are able to represent individual cases to the highest levels of government successfully and in a manner that actually achieves outcomes.
My work is nice, natural, it's never "been there done that," my work remains very interesting without losing my soul - because it's really me, and I am always honest with myself. I don't care what's in or out, I just listen to myself. And it's very nice to able to work like that. At the beginning people might have wondered what I was doing, but now they know my line, my evolution, I'm respected for that and that's a wonderful feeling.
As to whether the people who were supposedly to put up the money and did put it up or whether it was Arthur's own money is something which I shall never know.
The hardest thing in the world is being a critic of your own work. For me time has always been the best critic. If I can put something away and then come back, it's like taking a painting you're working on, turning it upside down, squinting at it, or walking away to get a new view. Time helps you know whether it's worth saving or whether it should be dumped.
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