A Quote by Dolores O'Riordan

One day we were in Limerick... and then, a few weeks later, we were being flown around to play. When we started, it was just a hobby. It wasn't any big ambition. — © Dolores O'Riordan
One day we were in Limerick... and then, a few weeks later, we were being flown around to play. When we started, it was just a hobby. It wasn't any big ambition.
There were a few people who got jobs in Limerick, a big barrel on wheels, and it was a barrel that went back and forth, and a shovel and a broom. So, they went around shoveling the horseshit into this barrel. So, you got that job when you were around 15, and then you got to retire at the age of 65, with a pension. A small pension. So that would be 50 years of shoveling horseshit. And I was advised very seriously that I should get that job.
When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.
A while back there was this fad where a big star [would get] a producing credit and you'd ask around, and people were like, "No, they didn't produce, they just took the credit." I was flabbergasted. So when I started, people were weirded out by the fact that I was like, "How long is our prep? I'll come a week before that." They were like, "We're not shooting for six weeks."
The show originally started out as a ten hour mini-series. We shot two hours and then were excused for a while, for no apparent reason. Things went very quiet for a time and then a few months later we were called back and told that it was going to be a full season.
When I was a kid, I felt like I could do anything and play anything. I just felt super-confident. And then, once I started to play music professionally, maybe it's from being from a small town, but you grow up and then you're suddenly a big fish in a small pond, and I realized that there were a billion other drummers out there that could play as good as you or better, and everybody wants that job.
With 'California,' editors were reading it, and fast, and others were emailing my agent to request it. Ultimately, there were a few editors interested in the book, and it sold at auction about two weeks after the submission process started. I couldn't believe it!
All of the little entries in 'The Cows' were written in an irregular way. There might be one or two done one day, and then two weeks might go by or four weeks, and then they were put in an order or sequence.
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
Back in the day we didn't really have time to be a live act because we were always on TV or doing live interviews. We were being flown all over the world.
'The Practice' is one of my favorite shows of all time, and the first few seasons of that show were amazing, and then when they started winning the big case, it just got less interesting.
And that's how I wrote to NICAP, but then later, just very soon after that, like three weeks later, we started getting phone calls from government agents.
'Night of the Living Dead,' then 'Dawn of the Dead' is a few weeks later, 'Day of the Dead' months later, and 'Land of the Dead' is three years later. Each one spoke about a different decade and was stylistically different.
Filming in India was one big adventure. For 'The Cheetah Girls', we were in Mumbai for two weeks, then Rajasthan for six weeks. Every day after shooting, I would hop into a rickshaw and start exploring the city. I even learned a bit of Hindi. It's such an amazing place to visit.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
All I could think of was we were about to start filming for the last final weeks of the TV show and here I am in the hospital, so I missed the final weeks, and a couple days later, sore stomach and all I got on the horse we started filming.
For my 23rd birthday, I received a nylon string guitar. I told myself that if I could play Eric Clapton's 'Tears In Heaven,' then I could play the guitar. I practised every chance I got, driving my housemates insane, until several weeks later I had a shaky version of the song down. I wrote my first song on the guitar a few weeks after that.
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