A Quote by Dolores O'Riordan

It's a great gig, really: getting on stage, playing the guitar, singing. For a living, it's super. — © Dolores O'Riordan
It's a great gig, really: getting on stage, playing the guitar, singing. For a living, it's super.
Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.
I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.
I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.
In America sometimes I'll play to a full black audience of young people, they will be really getting into this super-aggressive guitar music. It's really great to know that people who are coming to the gigs don't have any particular expectations.
I had to come out on stage with my little staff and robe and I had this sun on top of my head that my mom made - that was the first time I was ever on stage singing in front of anybody. I realized that I was one of the best acts of the night but I didn't give singing much thought after that. I was really into playing baseball.
My center is not really my singing so much as my guitar playing.
Most of my music theory knowledge is based on piano. But I write on guitar a lot, too. I'm not a great guitar player by any means. I'm not a great instrumentalist. I play piano on stage. I don't play guitar on stage, but I use it to write quite a lot.
My father was a guitar player, and I was raised with a super high standard of what good guitar playing was.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I'm Mexican, and we do a lot of singing, and it was my brother's guitar that I'd practice on, and he would say, 'Who's that playing my guitar?'
Trey Spruance didn't want to tour for ages. And Dean Menta has always been our guitar-roadie during Angel Dust, and I remember him playing fantastically during soundchecks. During each gig, he was watching from the side of the stage, seeing Big Jim play stuff that he could play better.
It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
My main focus now is playing the guitar. I'm not really like, dancing on stage anymore.
I have known people throughout my years of playing where maybe they had a gig, but then lost the gig because they didn't really move forward with them.
My first gig, I was about 17 or 18. But I'd been singing a long time. I got a guitar when I was 8, and started trying to write songs as a teenager.
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