A Quote by Dolph Lundgren

Because he's a character who's looking for his own identity, [He-Man is] 
an interesting role for an actor. — © Dolph Lundgren
Because he's a character who's looking for his own identity, [He-Man is] an interesting role for an actor.
I think as an actor... I don't like to compare a character to anybody else, just because I respect other people's work, and I want that character to have his own identity.
Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.
I'm an actor. I'll take a lead if it's offered. The really good actors can fill a character, no matter what the role is. A good leading man is a character actor; a good character actor can be a leading man.
I'm a character actor, so as a character actor, I'm always looking for something interesting.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.
'Next to Normal' has challenged me as an actor because of how complex Diana is. And that's got me hungry for another character like that in a non-singing role because it would be interesting to express that same intensity in a different way.
The Negro wants to be everything but himself... He wants to integrate with the white man, but he cannot integrate with himself or with his own kind. The Negro wants to lose his identity because he does not know his own identity.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Just working on a character and his mannerisms, but not looking the part, is not my thing. It is your duty as an actor to be honest to the character.
Dustin Hoffman said this one time, that if he hadn't made it as a film star, he would still be happy as a character actor because he was a character actor because of his face from day one, so he would always work in the theater.
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character.
Dubbing can change the 'sur' of the character. Doing it for another actor and to make it believable is tricky but interesting because you do not know the graph of the character.
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