A Quote by Dolph Lundgren

Unless you're playing a real character based on a real person, if someone else has done it before, you're probably better off not watching it as an actor. Otherwise you end up trying to copy someone else.
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
When a person you love dies, it doesn’t feel real. It’s like it’s happening to someone else. It’s someone else’s life. I’ve never been good with the abstract. What does it mean when someone is really truly gone?
We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.
If the best way to learn to succeed is to fail as fast as possible, then the second-best way is to watch someone else fail as fast as possible. Watching someone else screw up is a kind of rehearsal for your own eventual downfall. A close observation of someone else's attempt to resolve a difficulty is a great way to acquire real-world insight into whether and when to deploy their method in your own times of trouble.
The duke sounded like he was trying to convince himself. “Have you ever done this before?” “Set up someone by pretending to be someone else? Sure. Pretended to get killed? Not so much.
You're playing a character in a drama who happens to be based on someone who existed. It's never going to 'be' that person, but it's based on someone well-known, and you want to create enough of that person for it not to be a distraction.
I am hard on myself. But isn't it better to be honest about these things before someone else can use them against you? Before someone else can break your heart? Isn't it better to break it yourself?
Acting - you're taking someone else's visions and someone else's inspirations, and it's up to you to portray that to everyone watching the film.
Let someone else take your place in line, Let someone else be first. Let someone else achieve realization before you.
I am learning that a life isn't real unless someone else knows its reality. And I want my life to be real.
To sell well is to convince someone else to part with resources—not to deprive that person, but to leave him better off in the end.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
Nothing helps us build our perspective more than developing compassion for others. Compassion is a sympathetic feeling. It involves the willingness to put yourself in someone else's shoes, to take the focus off yourself and to imagine what it's like to be in someone else's predicament, and simultaneously, to feel love for that person. It's the recognition that other people's problems, their pain and frustrations, are every bit as real as our own-often far worse. In recognizing this fact and trying to offer some assistance, we open our own hearts and greatly enhance our sense of gratitude.
If I know someone for 5 or 6 years that is fine, else if someone comes in front of me for the first time, I just can't speak and end up smiling and walking off.
People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
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