A Quote by Dolph Lundgren

There are a lot of great athletes who stop working out, and they get out of shape like everybody else in their 30s and 40s. — © Dolph Lundgren
There are a lot of great athletes who stop working out, and they get out of shape like everybody else in their 30s and 40s.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
Forget all the bars and schmoozing and everybody checking out everybody else. My ideal date would be to park in a dark place, check out the stars, and have a great conversation. When all else fails, you can just make out.
Early on in my career, I used to get out in the 30s, 40s, fifties, and 60s. So I really appreciated reaching my first hundred.
My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
L.A.'s cool; I had a run with it to where it just pretty much wore me out. I love the weather and I have great friends there, great family, but I really cannot take a lot of the culture. Like Nashville, where everybody's a songwriter, everybody out there is an actor.
There are a lot of young great athletes out there; they're much better athletes than what we were. They're bigger, faster, stronger, unfortunately, there're fewer places to go.
It used to be that creative music was most of the music that you heard back in the '30s and '40s, and now it's like 3 percent. So, its kind of a struggle getttin' it out there.
I don't think the ebbs and flows - get in great shape and then get out of shape and then see if you can get back into shape - is a good thing. So I prefer to keep my arm always ready to go.
People would measure you by your shape, you used to find a lot of male athletes peeling off their tops - just to say, 'Have some of this.' I guess my abs were a sign to people. 'Watch out, she's in shape.'
Young people in my generation were sort of in lockstep, and it wasn't just the '40s, either. In the '30s and in the '50s it was the same. No one ever dropped out unless he got sick or got kicked out.
Before moving to L.A., I was working with a lot of people who were manipulating me, where they either wanted to put things out immediately or didn't - I was on everybody else's time frame. But once I was on my own, I was like, 'You know what? I'm going to do this right and take my time, and I'll put things out only when I'm ready.'
I love acting classes. I think they're great. It's like working out in the gym. It's a great place to figure out everything that's working and what isn't working.
I think a lot of athletes when they get in their mid and late 30s, they focus more on kids, on family.
The egos in this industry are incredibly vulnerable and everybody's afraid to wipe out. So everybody plays it safe and everybody tells everybody else how great they are.
I've always been inspired by the great actors and actresses of the '30s and '40s like Fred Astaire, Ann Miller and Gene Kelly.
Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.
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