A Quote by Dolph Ziggler
You have to do something different, or you are just the guy who goes out there and has a great match, but nobody cares. You have to have different layers to your character.
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I've been playing the same character on Supernatural for the past nine years and while that character has gone through a lot of different iterations, it's nice to step out and just do something altogether different.
There's some of these villains that are just crazy and they do it just to do it. Then you got The Joker, who says he's an agent of chaos and he comes back in different forms every time, comes back to fight Batman he's a different character, different guy.
My worlds are completely different. Painting is a peaceful world, and it's a different vibe than having a great match. You are able to look back at what you created when you finish. Recording music is an entirely different monster. When you finally write something, you do a demo and then you go into the studio. Doing the master version, that's the best feeling ever - especially when you're so proud of what you've written, and you can't wait for people to hear it. That's actually very similar to trying to tell a story in a wrestling match.
Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.
I'm not always the best at picking out what goes together. I always want to be presentable, but more than that, I want to be different. I've never just wanted to follow the crowd. I think that goes back to when I was a boy. If everyone was doing one thing, I'd do something different.
Everybody wants to be fancy and new. Nobody wants to be themselves. I mean, maybe people want to be themselves, but they want to be different, with different clothes or shorter hair or less fat. It's a fact. If there was a guy who just liked being himself and didn't want to be anybody else, that guy would be the most different guy in the world and everybody would want to be him.
You'll have a guy, and they're aging however they're aging, and nobody really cares. If you're a woman, it's different.
It's much easier to put yourself out there under the guise of a character. You get a different name, different habits, different words. When I have to just be Nathan, that's when I feel vulnerable.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
Just being alive is such a gift, but nobody ever told you to be thankful to existence. On the contrary, everyone was grumpy, complaining. Naturally, if everything surrounding your life from the very beginning goes on pointing out to you that you are not what you should be, goes on giving you great ideals that you have to follow and you have to become, your isness is never praised. What is praised is your future - if you can become someone respectable, powerful, rich, intellectual, in some way famous, not just a nobody.
If a woman goes out with different men on different days, women only will question her character and call her all sort of names.
It's the texture of New York that people miss by filming elsewhere. There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places.
If you wrote a crummy line or maybe didn't sing to the best of your ability, there's layers of 10 different instruments all working to convey something. In writing prose for the memoir, if it's not working, it's just not working. It's harder to figure out how to fix it.
It doesn't matter if you have a six-minute match on 'Superstars,' go out and steal the show. Go have a great, solid match. Somebody's going to say, 'Who cares about 'Superstars?' Nobody watches it. And it's only six minutes.' That's the wrong attitude. That's a loser's attitude, and that's what I've told dozens of talents.
I enjoy being a singles guy. I enjoy commanding the stage with myself and an opponent. It's a different process when you're teammates. Especially with the way we work. We're very unselfish with how we work together in so many different regards. Not just what you see as the final product of the match. Just strategizing, psychology, teamwork.
And every match is different: you have different opponents, different situations, different conditions. So there's no one approach that's going to work all the time.
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