A Quote by Dolph Ziggler

I wouldn't advocate anything to anybody - everybody's different. Some people can put on those toe shoes and think they're having a better work out than those in tennis shoes. Everybody can advocate their own way of doing something.
I don't advocate Stalinist monolithic state structures any more than I advocate capitalistic monoliths. Unfortunately, human society tends to the monolithic, whether you go to the left or right, everybody in leathers, or everybody holding Chairman Mao's book, and if everybody goes to one end of the pitch, I always go to the other.
I'd rather hang out with five people that I love than with 400 strangers at a club who are all doing the up-and-down inspection thing. They appraise everybody from head to toe - the outfit, the handbag, the shoes, how much they weigh... I can't stand it!
If I'm an advocate for anything, it's to move. As far as you can, as much as you can. Across the ocean, or simply across the river. The extent to which you can walk in someone else's shoes or at least eat their food, it's a plus for everybody. Open your mind, get up off the couch, move.
My faith motivates me to really try to work on behalf of and advocate for those who are least able to advocate for themselves.
I've always liked shoes. I peep everybody's shoes out to see what they're rocking.
Those who advocate total lack of regulation, those who advocate lawlessness in the business world, themselves give the strongest impulse to what I believe would be the deadening movement toward unadulterated state socialism.
Well, I'm obsessed with shoes - small shoes, weirdly shaped shoes, hotdogs in shoes, things sliding in and out of shoes.
Usually, I wear tennis shoes because my feet are flat, and it hurts to wear anything other than shoes that are cushiony.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
It's like one of those scenes from a feel-good Hollywood movie. Where everybody is happy and nobody's hair fizzes in the wind. Where it doesn't rain, your shoes stay comfortable all day, and everybody's jokes are funny.
The way I've talked about my research process is that it was like magpies. I was just sort of moving through all these books and when something shiny would pop out I'd be like, Ooh, I love it! and I'd pluck it out. It's fun to figure out how to use those bits you really love - like I'd read about gold shoes with cork heels. Obviously, Margaret would have to wear those shoes.
No doubt a brain and some shoes are essential for marathon success, although if it comes down to a choice, pick the shoes. More people finish marathons with no brains than with no shoes.
In our house, the name for all athletic shoes - any that weren't dress or 'church' shoes - was 'tennis shoes,' or 'tennies.'
The most important thing is to find your own path - to be true to yourself. I'm a happily married gay man, but I don't advocate marriage for everybody. Different strokes for different folks.
Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.
Can you imagine if you had a pair of shoes that you could only walk in? That could be kind of limiting under certain circumstances. 'Everybody get outta here! There's a swarm of bees coming!' What? Oh great, I got my walking shoes on today. I guess I better stroll the hell out of here at a moderate pace.
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