A Quote by Dolph Ziggler

You want to be the best, and you hear a lot of good things about yourself, and then you find out that you're going to debut as a caddy - it's a little gut-wrenching, and it hurt.
When all you've done is work toward being a professional athlete, and then you injure yourself, and you know that you're going to be out for a while, it's gut-wrenching. It almost feels like your life is over because that's all you've ever worked for.
For me, success isn't even about money. It's about getting to do what you love and supporting yourself. Everything that comes after that is bonus, unless your only goal is to be rich. If that's your goal, you're going to find out that once you have a little bit, you want a lot. Then once you have a lot, you want a lot more.
Growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you're just going to get hurt again. But each time, you learn something. Each time you come out of it a little stronger, and at some point you realize there are more flavors of pain than coffee. Pain does two things: it teaches you, tells you that you're alive. Then it passes away and leaves you changed. And everything that will ever happen to you in life is going to involve it in one way or another.
One of the first things I think young people, especially nowadays, should learn is how to see for yourself and listen for yourself and think for yourself. Then you can come to an intelligent decision for yourself. If you form the habit of going by what you hear others say about someone, or going by what others think about someone, instead of searching that thing out for yourself and seeing for yourself, you will be walking west when you think you're going east, and you will be walking east when you think you're going west.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I believe that we're going to find out that America made a lot of mistakes diplomatically, economically, militarily, intel-wise. But, I also think we're going to find out the U.S. has done a lot of good things too.
When 'American Born Chinese' started getting a lot of attention, I freaked out a little bit because I realized that up until then I had just been doing comics by following my gut. I didn't really know much about plot structure or anything; I kind of just followed my gut.
Particularly when I'm batting, I don't really hear anything that's going on. I block it all out. Maybe a little bit when I'm fielding but then again, it's just words. It doesn't affect me. If people want to say things then go for it.
We Americans think we are pretty good! We want to build a house, we cut down some trees. We want to build a fire, we dig a little coal. But when we run out of all these things, then we will find out just how good we really are.
I was a caddy once and I lost the golfer's clubs. Plus I don't know how to golf, so I was the worst caddy ever. Then I was a mortgage brokers assistant, so that was just carrying around a lot of files - pretty meaningless, mind-numbing work.
It was like a death in the family: You go through the mourning stage, then the rebellion, and then all of a sudden you have to find life by yourself. . . . I loved everything about marriage. I loved having a companion to wake up with and have barbecues with. But things happen and people grow apart. I don't really ever talk about the divorce because it was a heart-wrenching thing to go through.
It's kind of beating a dead horse if you're talking about going out and saying wrestling's fake, or this or that. People don't want to hear that. They want to hear, they wanted to find an inside story.
My Heart and Other Black Holes is alive with intensity, gut-wrenching honesty, moments of humor, and -- of course -- heart. This is an extraordinary debut by a striking new voice in YA fiction that left me in awe and moved beyond measure. Not to be missed.
To be honest, I want readers to be wrung out. As a novelist, I don't have a political agenda or specific philosophy; I'm trying to create a gut-wrenching, intimate, memorable experience.
Even if things are going well, I'm always thinking that I'm about to be hit with the dreaded gut punch and - psych! - I'll find out that it's all falling apart.
It's not always a conscious thing - I've never been that artist to come to the recording session with a concept of an album; I am a lot more intuitive. I usually start with the music and try to catch a feeling, a gut feeling. And then you need to do interviews and explain yourself more, in words. But during the process it's really about the gut feeling, and it's hard to explain. You're trying to find those moods that make you feel something, I guess.
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