A Quote by Dom DeLuise
Once at the White House I was asked to conduct the Drum and Bugle Corp. The man just handed me the baton and I finished the song. It was great. I got to keep the baton.
Related Quotes
Each generation has an obligation to pick up the baton. We want young people to feel a sense of responsibility to take that baton and run with it.
If we are to stand the final heat of the battle, we must learn to stand our ground in the face of cavalry or baton charges and allow ourselves to be trampled under horses' hooves, or be bruised with baton charges.
Baton Rouge happens to be the worst place in the world for a visiting team. It's like being inside a drum.
When you run a part of the relay and pass on the baton, there is no sense of unfinished business in your mind. There is just the sense of having done your part to the best of your ability. That is it. The hope is to pass on the baton to somebody who will run faster and run a better marathon.
She was born in Baton Rouge, her favorite song was In My Life.
I'm good man, repin' Baton Rouge, Louisiana to the fullest. Lettin' everybody know that I got some new heat comin' to the streets.
It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.
In our work, the question is, how much you absorb from others. So for me, creativity, is really like a relay race. As children we are handed a baton. Rather than passing it onto the next generation as is, first we need to digest it and make it our own.
I wasn't what you would envision for the son of an Army man. I liked doll baby clothes and twirled a baton. But my aunts and uncles tell me how much he loved me.
What we witnessed in Ferguson, in Baltimore, and in Baton Rouge was a collapse of social order. So many of the actions of the Occupy movement and Black Lives Matter transcend peaceful protest and violates the code of conduct we rely on. I call it anarchy.
Soldier or sailor, the fighting man is but a fiend; and the staff and body-guard of the Devil musters many a baton.
Then, all of a sudden, here I am in the Press Room in the White House and walking in with the guards, who handed me three little pieces of paper asking me to send pictures to the guards at the White House.
That's where I think a lot of these guys today are just, 'I'm the drummer, man. Check it out. Here's my lick. I just learned this new drum lick. I'm just gonna blast all over the place.' It's like, 'Man, you've got to let the song breathe.'
I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
They asked if I knew what 'conscientious objector' meant. I told them that when the white man asked me to go off somewhere and fight and maybe die to preserve the way the white man treated the black man in America, then my conscience made me object.
I think it's like a relay race. You run, and you hand over the baton, and your kids pick it up. They take the stuff they want, throw the rest away, and keep running. That's what life is about.
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