A Quote by Domenico Gnoli

An audience is perhaps unnecessary to the soul-searching mystic, but it is vital to the magician, the maker of prodigies. — © Domenico Gnoli
An audience is perhaps unnecessary to the soul-searching mystic, but it is vital to the magician, the maker of prodigies.
We can all afford to do a little soul-searching about the choices we make and the way we live our lives, but sometimes searching one's soul doesn't provide the answers we seek.
Rejection should ignite soul-searching, and the soul-searching must be absolutely honest.
Searching for money, what are you really searching? You are searching power, you are searching strength. Searching for prestige, political authority, what are you searching? You are searching power, strength - and strength is all the time available just by the corner. You are searching in wrong places.
What should I possibly have to tell you, oh venerable one? Perhaps that you're searching far too much? That in all that searching, you don't find the time for finding?
Every time that a people which has long crouched in slavery and ignorance is moved to its lowest depths there appear monsters and heroes, prodigies of crime and prodigies of virtue.
The choreographer and the dancer must remember?that they reach the audience through the eye.?It's the illusion created which convinces the audience,?much as it is with the work of a magician.
A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.
Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.
perhaps the only magician we have is the artist.
There's a stark difference between the words 'prodigy' and 'genius.' Prodigies can very quickly learn what other people have already figured out; geniuses discover that which no one has ever previously discovered. Prodigies learn; geniuses do.
I believe that every man has in his soul a passion for treasure-hunting, which will often drive a coward into prodigies of valour.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
The soul is a magician. Only living flesh hampers it.
I want to tell stories which require something of an audience, by way of thought, argument, emotion, because I'm more often in an audience than I am a maker of films, and that's the kind of movie I want to see.
For the Platonic or Aristotelian philosophy, it is of no importance whether Plato or Aristotle ever lived. For the mystical practice of an Indian, Persian, Chinese, or Neo-Platonic mystic it is a matter of indifference whether Rama, Buddha, Laotse, or Porphyrius are myths or not. The mystic has no personal relation to them. It is not here a question of somebody telling me the truth which of myself I cannot find, but of my finding an access to the depths of the world in the depths of my soul.
To the Maker the archetype, the self-sustainer, human interaction is usually a waste of the most precious thing in his vital existance: time.
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