A Quote by Domhnall Gleeson
My mum and my dad have really good taste in movies. My gran would tape them off the TV and write notes about them, rating them.
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Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.
Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.
I think I was drawn to comedy originally because when I was really young, by the time I was eight I had seen movies like The Jerk, Animal House, and Planes, Trains & Automobiles with my dad, and I knew them by heart. I loved them and my dad loved them, and we would laugh together, and I would think, 'This is love.' I just wanted to make people feel like that.
The best thing about doing those Hallmark movies is my dad loves them. My dad watches all of those Christmas movies, not just ones I'm in. He watches them all, so the first one I did, it was like my Christmas present to my dad.
When we used to go to the car-wash where people would wipe the windows, my dad would go out and help them and then tip them as well, so I learned my empathy from my dad, and my mum is very empathetic too, but in a very stern way; she will always check my ego.
Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough. Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
When it comes to heartbreaks and disappointments, I often have to be more or less done with them to be able to write about them. Then you might ask why I would write about them at all, but I think I owe it to the Jens of the past.
I wear jewellery that I never take off. I have a ring and two necklaces. I always have them on and get scared when I have to take them off for photo shoots. The ring is my mum's mum's mum's, and she gave it to me for my 18th birthday. The necklace is the same one that my sister has. She's called Hannah, and the name is the chain.
My nana used to tape 'The Simpsons' when it aired on Sky. We'd get the VHS tapes - my dad would courier them from Nana's house to us - and we'd watch them on Sunday nights.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
There's good movies and there's bad movies. The genres are never dead, it's just about how to apply them and articulate them and execute them - the story, the quality of the writing, the acting, the design elements, the directorial execution - all these things make it what it is.
My generation remembered going to the movies as an event. We would see these things, we would bring them home, and we would think about them for years because it would take a long time before they would go on television where you could re-experience the fun that you had when you watched them.
The best part of watching kung fu movies with my dad was the conversations they sparked. We never watched them just for fun. 'Do you see how good his balance is?' My dad would always zero in on really specific stuff like that. Everything had a potential lesson.
I didn't learn how to read and write until pretty late, and it was this very mysterious, incredible thing, like driving, that I didn't get to do. And then I started writing things down on little scraps of paper and I would hide them. I would write the year on them and then I would stuff them in a drawer somewhere. But I didn't start to really read until about eight. I'm dyslexic, so it took a long time.
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