A Quote by Domhnall Gleeson
As an actor, there's very little you can do if people don't want to see you. Just getting yourself into the room to audition is tough.
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I've had a couple opportunities where I've been on the other side of the audition process as a director, so it's really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time.
One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.
I've been very lucky, from the beginning. I've found that as long as you're fundamentally good - as long as you're not being bad to people - people give you a lot of room to be yourself, because being yourself is being honest. And that's what people want to see.
It gets a little tough when you're cutting weight to travel all over the place, when you want to focus on really getting yourself ready to peak for your fight.
I see a project, and I say I want to audition for it, and people let me audition for it. There's a lot to be grateful for.
There's no substitute to actually being in the room and having people in the room feel the force of your audition. It's very hard to beat that.
I have a very optimistic view of my future right now. I'm very excited to see where it goes, but I try not to make plans just because I know how unpredictable life can be. Especially the life of an actor, and especially the life of an actor on 'Glee.' I just want to be happy and healthy and surrounded by people I love, as cheesy as it sounds.
It's a weird profession, as I don't really consider myself an actor. I did at one point, and I went and started doing auditions, and I was so useless at them and so demoralised by doing audition after audition and not getting them and also not being able to take it in my stride at all. I just felt crushed and worthless.
As an actor, you want people to see you as a whole person, not just a single facet of your emotional spectrum. And whether it's the audience or the industry, you end up getting pigeonholed as one thing. So for people to see I can be funny and stay in shape is a bit of a weight off my shoulders.
The life of an actor is very random. It can be exhilarating but terrifying - you do wonder day to day where the next job will come from. Some of my friends are very talented people, but you see them out of work - which can be tough. If you wanted that kind of security, though, I guess you wouldn't be an actor in the first place.
One of the tough things about being an actor, probably the hardest thing, is getting your foot in the door, and my father handled that for me at a very early age. It's funny, I get an image of the thing with eggs and chickens where, when the egg is getting ready to hatch, the little chicken will start to peck at the shell a little bit, and the mom will hear that and start to peck at the shell from the outside, and they're both kind of working together.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
I’m not being cynical, but when you’re doing a movie you have a number of choices as an actor. Then you see it all cut together and all of those precious little pieces you put in are maybe on the cutting room floor. So, you don’t have that much control. You have very little control, in fact.
Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.
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