A Quote by Domhnall Gleeson
I like Philip Larkin an awful lot; I really like his view on life, and I really connect to it.
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I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling. A lot of people get to this level and they're like, Now I do four cities in one week and they tour nonstop. I'm like, No, that sounds miserable. I'll just do two weekends a month. But whenever I'm in some awful place geographically, it's no longer that awful, because you've got the Internet and television.
Speaking of [Philip] Larkin, in his poem about the First World War he wrote something like, "Never such innocence, before or since, that turned itself to past without a word".
Most people are really fighting to not be adults. And, when it happens, it's a big transition. And a lot of that is just awful. It's awful to have to get a job and really be responsible for other people. And it is funny, too. Like, we're all kind of little idiot kids trying to act like we know what we are doing.
I love listening to old school stuff. I listen to some new cats out here, but I'm really into, like, Tech N9ne and his clique; I really like Eminem and those guys - cats that got real flow: I really connect with that. But I do love rock. I love a lot of electronica because I love programming synthesizers.
Philip Larkin didn't write for several years before his life ended. And when he was asked why he didn't write, he said the muse deserted him. And when I read that, it really had a profound effect upon me, sort of scared me. So that's why I think I have no right to assume that some thought is going to come... But I think, in my imagination, if it is it, there will probably be something else I'm interested in.
You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
An awful lot of England is slowly eroding, in ways that I find really distressing, and an awful lot of it is the hedgerows... We're reaching the point where a lot of the English countryside looks just like Iowa - just kind of open space.
I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.
So here is one of my theories on happiness: we cannot know if we have lived a truly happy life until the very end. This view of life and death was reinforced by my close witnessing of the buildup to the death of Philip Gould. Philip was without doubt my closest friend in politics. When he died, I felt like I had lost a limb.
A lot of people in college go astray because they choose something that doesn't really, really connect to them. And if it doesn't connect to you, you're not able to put in that 10,000 hours that people talk about. You don't have the focus. And you start off in life on the wrong foot and you never get back.
I like Philip Glass. I think he's made some really great contributions to his field. I love his style of playing - it's very loop-style.
I like to be able to connect with people. And that's how I connect, right away. I like to really talk to somebody. To me, it makes my night more interesting.
It seems like every time I start to feel good, something really awful happens. It's like... it's really terrible.
Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
It's unthinkable not to love - you'd have a severe nervous breakdown. Or you'd have to be Philip Larkin.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
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