A Quote by Dominic Chianese
I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a great character. This guy is a wonderful, funny, mean old guy.
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When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
I never wanted to be the great guy or the colorful guy or the interesting guy. I wanted to be the guy who won titles.
One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.
I was that 16-year-old who loved WWE, and I wanted to be a pro wrestler, but I didn't understand why I had to be the bad guy. I wanted to be like Jeff Hardy - I wanted to be like Rey Mysterio - but I was told I had to be the guy who screamed terrible things about America and attack people from behind.
But it was this tough little character part that I was playing, a very funny little guy that I invented over a weekend, because I realized I was not contributing to the humor of this thing. And I had to do something.
I'd pick a young white guy over an old white guy for president anytime because the younger guy is more likely to have been influenced by the great social changes of the '60s and '70s.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
It's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. Kurt Russell is a wonderful actor and a great guy.
Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.
It is funny because the guy who is my boss now, Howard Stern, has a similarity there. He got big being a regular guy. He wasn't the greatest looking guy in the world.
It is funny because the guy who is my boss now, Howard Stern, has a similarity there. He got big being a regular guy. He wasn't the greatest looking guy in the world
I think we're so advanced when it comes to watching narrative material. I mean, it's all we do is consume content all day long. So when a character walks onscreen, you immediately start making connections for that character: Is that a good guy? Is that a bad guy?
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
I'm OK with being the Old Spice Guy because before I was the Old Spice Guy I was the guy looking for work on his couch.
Part of the plot was a knock that V wanted to bring down the government and bring chaos. I don't know why I thought of Guy Fawkes, because it was during the summer. I thought that would be great if he looked like Guy Fawkes, kind of theatrical.
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