A Quote by Dominic Cooper

For the three years I was in school training to be an actor, I was told, 'It's very unlikely you'll work at all on the stage or in film', so I feel I have to take all the opportunities I can.
I was very fortunate to have gone to drama school in London for three years, and that was classical training in the sense that a lot of it was dominated by stage work, so I would love to go back to stage.
I did three years training for stage in drama school.
And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
I love film, but it's funny going to drama school for three years, where you spend most of your time training for theatre, then coming out and just doing films.
I've never wanted to be anything other than an actor. I started performing on Broadway when I was 8 years old. My first night on stage, I told my mom, "This is what I want to do. I was always a very out-there kid. The sad thing about acting business is it's so fleeting. If I couldn't do that, I was going to go to school and study law and become a lawyer. But I probably would have been miserable, or they would have had some very theatrical court sessions.
I had opera training for three years, and I have three albums out. I also did a Broadway show. I'm an actor that sings, so it is in my blood. It is in my system.
I was lucky enough to get into drama school in London back in 2005, and I was there for three years, and in those three years, we did a lot of theater. A lot of classical training.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
Direction is closest to my heart. I may run out of work as an actor as I get older, but I can work as a director even if I live up to be 90. I promised myself that I will direct a film every three years.
My very first professional job was with a theatre company in 1965 and the first job they gave me was literally shovelling sh*t. I was an assistant stage manager and they told me to clear out the prop store. I opened it up and no-one had been in there for 25 years and it was inches deep in rat sh*t. So before I could get anywhere I had to clear it up. I thought, 'All these years of training, the best drama school in the world, and this is what I'm doing.'
Certainly what constitutes a stage actor, what constitutes a film actor, I don't even know what that is. And both things are very accurate, in a sense. In terms of people's needs to concentrate on race, I wonder if it's completely necessary, but it's not something that is so dynamically relevant to me that I feel it should be one thing or another.
I went to film school at Columbia and did that for a couple years and really thought I was going to be a filmmaker, and then I kind of drifted over to the acting side after that. I'd been an actor in high school, and when I got to college, it was all about film.
I love stage work. The thing about plays is that they're perfectible. With film, you shoot that take and maybe another. During 'Spamalot,' I rewrote Act II three times.
It always bothered me when people came off stage and were told how great they were. They weren't, really, in my opinion. It was then I started thinking that, contrary to conventional wisdom, film was the artful medium for the actor, not the stage.
I make one film in three years, if I go wrong it will take me another three years to prove myself.
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