A Quote by Dominic Cummings

One of the things I wanted to do in the Department for Education was open up the policy making process and run things like wikis in open formats in order to a: start off with better ideas and then b: adapt to errors much faster than is possible with normal Whitehall systems.
If you want your children to relate to the culture you live in, if you want to train them outside of the general system, you have to tell your children that ordinary children tend to say things like 'I can run faster than you; I can draw better than you; I know things you don't know'. You have to tell them what normal children are like. Normal children are messed up and you have to tell them about that. But if you instruct your child in high correlation with the physical world, they won't be able to relate with normal children. Normal means mixed up as I use the word.
The No. 1 question I get is, "Do you believe in an open-borders policy?" I'm like, wait a second: What does that really mean? When you say open-borders policy, do you mean that - this is like the US-Mexico border? We put up a sign that says "Keep Out," then 10 yards in we say, "Job Wanted." Is that what people mean by open borders? So that usually shuts people up. But that's the truth.
So what if I don't learn algebra?' 'Someday schools will be open again,' Mom said. 'Things will be normal. You need to do your work now for when that happens.' 'That's never going to happen,' Jon said. 'And even if schools do open up somewhere, they're not going to open up here. There aren't enough people left.' 'We don't know how many people are like us, holed up, making do until times get better.' 'I bet whoever they are, they aren't studying algebra,' Jon said.
I got used to certain things that normal kids don't get used to, like, when my mother went into the kitchen for things other than just cooking. I could hear the bottle open up and I could hear the chugs. Then the next morning, none of it was discussed. You grow up feeling crazy.
I wanted to start something in New York that focused on making products locally and, because I'd just had my second child, didn't want to be traveling halfway across the world anymore. Originally, I wanted to open up a gallery space and sell things like cushions or blankets that didn't have a season, and have friends or artists contribute.
When things get bad enough, then something happens to correct the course. And it's for that reason that I speak about evolution as an error-making and an error-correcting process. And if we can be ever so much better - ever so much slightly better - at error correcting than at error making, then we'll make it.
It's interesting when you make things or do things that open up the possibilities for making more things, or different kinds of things.
Usually, the first thing I do when I wake up is I start working, so I often won't start the day by reading anything because I like to minimize my 'commute' as much as possible. I wake up, open my laptop and start working in bed.
I like to compare the attitude and energy of an emerging start-up to that of the early hip-hop era. From working at labels like Bad Boy and Ruff Ryders, walking into the Def Jam offices, A Touch of Jazz and things like that, the vibe is that off making something out of nothing and making things work, and that's what I love about start-ups.
Filmmaking is, a sort of uncontrolled process. I think it's very important to be open to the unexpected and at the same time, of course, maintain your vision, be open to the all the things you didn't think of yourself that can make the film better.
From where you sit, the White House may look as untidy as the inside of a stomach. As is said of the legislative process, sausage-making and policy-making shouldn't be seen close-up. Don't let that panic you. Things may be going better than they look from the inside.
I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and you're better off not touching it until you're all grown up. I'm going to put it on this shelf and leave the room for a while. Don't open it.
I do think that we'd do better if we just offered all the bureaucrats in the Department of Education very attractive early retirements. But whether you want to abolish the department is another matter. Maybe there's room for recruiting a lot of visionary people who would do very good things: develop new techniques, new ideas, foster innovative models, disseminate those ideas.
I'm wide open to getting married, but actors are not easy people to date. You end up sharing that person with this other mistress that is their career. I very much like the traditional courtship method of making a date. That's what they do in normal places, but Hollywood's not normal.
When I was a kid, there was nothing better than water balloon fights. I grew up in Brooklyn: we had the fire hydrants, and we would open up a soda can at both ends and squirt people walking by. I love the kinds of things that encourage you to let your guard down, be open and vulnerable, and just to be laughing sincerely.
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