A Quote by Dominic Fike
When I'm onstage, I feel a lot of love. But I don't like crowds and random spectators.
Related Quotes
I love the crowds in Miami. I feel that is one of the tournaments where I get more support. That helps me a lot.
I do feel even though now I'm acting, I still feel like I'm going to do a lot of other things, like write a book or multiple books, maybe a children's book - just random things that I feel like I want to do, that I have an urge to do in that moment.
I think the crowds in Europe are songwriter crowds. Like, they are a fan of the words, and they're there to listen. An American crowd, they're there to get rowdy, man. And I love both.
I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
I feel called to help individuals, to love each human being. I never think in terms of crowds in general but in terms of persons. Were I to think about crowds, I would never begin anything.
Going onstage without my primary instrument is like being a guitarist and going up onstage with no guitar waiting for you. What do you do? That's why performance is painful for me, because I feel like I am always in a strange place with a bit of a handicap.
I love New York. It is an amazing city, and the U.S. Open is a lot about the show. There are tens of thousands of spectators; these are some of the best courts in the world, and there is nothing like being here and making memories.
I'm too scared to perform onstage. I'm not very good with big crowds.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread creative marksmanship happening all around you for every second of footage. Onstage you can suddenly feel solitary, like it's all on your shoulders, while on camera you feel like there are so many people working with you on every shot. Those are each unique and gratifying challenges.
I usually have Kafka biography in my bathroom. It's a book I can open at random and feel interested in immediately. It's really funny. With this book, since I'm opening it at random and immediately interested, I don't feel the need to read more than I want to read, in that there's not, like, a plot that leads me along. So I can stop whenever.
I have to be me, which is, don't like a lot of crowds, don't like a lot of attention - kind of being by myself.
The museum is full of interesting things. All kinds of paintings are there. And then paintings too thick to put in a frame, that they call sculpture. And then there are spectators. with their scorecards, rooting for culture. And spectators of the spectators, looking for love's introduction. And art students taking notes. And old women trying to remember the past. And old men with too much to forget. And tourists, thinking that a museum represents a city. And loafers so poor, they study their soberness here.
I just don't feel like I'm old. I still feel like I've got a lot of years, a lot to give in this game, and I'm able to do it because I love to work.
I feel like I'm still discovering my stage style, but I love - well, I'm not a huge color person onstage, but I am in real life.
The crowds treat me like my last name. When I go onstage people usually stand up, I never ask them to, but they do. They stand up and they don't know how much I appreciate it.
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