A Quote by Dominic Holland

I might get a break again, and I might get back on telly. If I don't, I'll just keep doing stand-up and doing the best gigs I can. — © Dominic Holland
I might get a break again, and I might get back on telly. If I don't, I'll just keep doing stand-up and doing the best gigs I can.
I might revisit - I like the idea of doing something else with [Hunt for the Wilderpeople characters]. But also I get bored of doing the same thing again. I just get bored.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I enjoy doing my gigs and I keep my hand in by putting records out now and again. You can't really get over the buzz of playing live though.
Whatever I'm already doing becomes enhanced when I smoke pot. It can also be demotivating, because if I'm not doing anything and I smoke a joint, it enhances just sitting in a chair. Then I don't even want to get up to change a record. That might not be a bad thing, but you have to get things done once in a while.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
That's the nice thing about doing stand-up. There's no development, you just go out there and get an immediate response as to whether something is good or bad. Getting a laugh is the best measure of how well you're doing.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
You have to know what you're doing and where you're going. For some guys, the answer is just keep doing what you're doing. For other guys, that might not be the case. It just depends on what kind you are.
As you try to tweak your sleep one way or the other, you might be, you might be doing great - you might do better at remembering details of an event, but you might end up being poorer at abstracting the gist or the rules associated with it.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.
To keep the edge, you just keep doing something new. I'm not gonna say that working is easy, but while I'm doing it, I'm just a happy little moron - that's how my girlfriend describes me. The fact that nothing might happen with those things is not the point. The point is, I'm doing new things, and I have a good feeling in my soul.
The women's movement and the result that I get to benefit from and my generation gets to benefit from is that we might be doing housework, but we might not be. And we get to choose, and we get to negotiate and work that out with our prospective husbands or with our husbands.
I might be doing the most challenging roles, like the cop role in Mynaa,' but it is these dance numbers that get written and spoken about. But I have no qualms doing them as I'm enjoying all the work I'm doing equally.
As a stand-up, as a storyteller, as an improviser, I've done thousands of shows. They allow me to work out new material that might turn into something later. They let me keep my muscles sharp for when the rent-paying gigs do come along. They keep me sane.
Once the computers got control, we might never get it back. We would survive at their sufferance. If we're lucky, they might decide to keep us as pets.
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