A Quote by Dominic Holland

I've written 'Eclipsed' as a funny story. It is completely bonkers. — © Dominic Holland
I've written 'Eclipsed' as a funny story. It is completely bonkers.
This industry is too bonkers to understand. Every single part is completely different.
I don't think I've ever written a poem whose intention was just to be funny. I've written poems that start out funny and often shift into something more serious.
When are you going to trust me Max?" asked Fang. "When I go completely bonkers," I laughed.
Drumming completely eclipsed my life from age 13, when I started drum lessons. Everything disappeared. I'd done well in school up until that time. I was fairly adjusted socially up until that time. And I became completely monomania, obsessed all through my teens. Nothing else existed anymore.
If as a child I had written a story, the best story that I could imagine, I would have written as indeed is happening to me.
A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.
I came across an old story of mine that I'd written a decade ago. The main joke of the story is that a mother is telling her children about how she met their father online. The majority of memories the mother has all have to do with really funny links he sent her, a music download that she loved, etc. - and because of these superficial details she fell in love with the father. Reading it today, it's hardly a dystopian story; it's simply a realistic story about how people actually meet.
I don't understand how our story can be so bonkers, but 'Captain Marvel' isn't. A lot of the ideas in 'The OA' that seem outlandish are just normalizing as the years go by.
His eyes look too bright, the way the do in people who are in love, people who are enraged, and people who are completely bonkers.
Writing a funny story is one thing. But writing a funny story that inspires others to venture beyond their level of comfort in pursuit of their greater good is what makes me come alive.
We live in a society that is in transition from oral to written. There are oral stories that are still there, not exactly in their full magnificence, but still strong in their differentness from written stories. Each mode has its ways and methods and rules. They can reinforce each other; this is the advantage my generation has - we can bring to the written story something of that energy of the story told by word of mouth.
This world has been connected...tied to the darkness...soon to be completely eclipsed...there is very much to learn...you understand so little...a meaningless effort...one who knows nothing cannot understand nothing.
[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.
If a story is funny, and I made it up, then the big message is, `Aren't I clever?' .. If a story is funny and it actually happened, the big message is, `Isn't the world funny?' And actually I think that's a better message. I kind of want to think that about the world -- and it sounds less like boasting.
The very act of committing an experience to the page is necessarily an act of reduction, and regardless of craft or skill, vision or voice, the result is a story beholden to and inevitably eclipsed by source material.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
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